
La Promenade (The Walk), from "Les Caprices" Series A, The Florence Set
Jacques Callot (d. 1635)
1617 · Etching; second state of two [?] (Lieure)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
373 ms. The Metropolitan Museum of Art, Collection API (Open Access)
304 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 79 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

La Promenade (The Walk), from "Les Caprices" Series A, The Florence Set
Jacques Callot (d. 1635)
1617 · Etching; second state of two [?] (Lieure)
Cleared · Public Domain
live
La Promenade (The Walk), from "Les Caprices" Series B, The Nancy Set
Jacques Callot (d. 1635)
1617–20 · Etching; first state of two (Lieure)
Cleared · Public Domain
live
Reverse Copy of La Cène (The Last Supper), from La Petite Passion (The Little Passion)
Anonymous
17th century · Etching
Cleared · Public Domain
live
Reverse Copy of La Factoria (The Factory), from "Les Caprices"
Anonymous
17th century · Etching
Cleared · Public Domain
live
Reverse Copy of La Factoria (The Factory), from Les Caprices
Anonymous
17th century · Etching
Cleared · Public Domain
live
Reverse Copy of La Promenade (The Walk), from "Les Caprices" Series A, The Florence Set
Anonymous
17th century · Etching
Cleared · Public Domain
live
Young Roman Girl Going for a Walk
Nicholas Boucquet (d. 1700)
1648–1700 · Engraving; third state of three
Cleared · Public Domain
live
A Winter's Walk
James Tissot (d. 1902)
1880 · Etching and drypoint on laid paper; second state of three
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Promenade (The Walk), from Les Caprices Series A, The Florence Set
Jacques Callot (d. 1635)
1617 · Etching; first state of two [?] (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reverse Copy of La Promenade (The Walk), from Les Caprices
Anonymous
17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Promenade (The Walk), plate 8 from "Amours"
Paul Gavarni [Chevalier] (d. 1866)
ca. 1833 · Lithograph; second state of three (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Promenade (The Walk), plate 8 from "Amours"
Paul Gavarni [Chevalier] (d. 1866)
19th century · Lithograph; second state of three (Armelhault & Bocher)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.