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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    535 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    432 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 87 matching records exist across the two collections.

Results for "Reverse Copy of Le Crucifiement (The Cru"12 records

Institutions answered newest-first by record, interleaved

Reverse Copy of Le Crucifiement (The Crucifixion), from La Petite Passion (The Little Passion) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Le Crucifiement (The Crucifixion), from La Petite Passion (The Little Passion)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Le Débarquement des Troupes (The Landing of the Troops) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Le Débarquement des Troupes (The Landing of the Troops)

Anonymous

17th century · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Le Petit Portement de Croix (The Small Carrying of the Cross) by Jacques Callot, The Metropolitan Museum of Art

Reverse Copy of Le Petit Portement de Croix (The Small Carrying of the Cross)

Jacques Callot (d. 1635)

after 1620 · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Le Porte-Étendard (The Standard Bearer), from Les Caprices by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Le Porte-Étendard (The Standard Bearer), from Les Caprices

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse copy of A Racomoder les Vieux Souflets (Mend the Old Bellows), plate 3 from "Le Cris de Paris" (The Cries of Paris) by Jacques Philippe Le Bas, The Metropolitan Museum of Art

Reverse copy of A Racomoder les Vieux Souflets (Mend the Old Bellows), plate 3 from "Le Cris de Paris" (The Cries of Paris)

Jacques Philippe Le Bas (d. 1783)

18th century · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Reverse copy of Balais Balais (Brushes Brushes), plate 5 from "Le Cris de Paris" (The Cries of Paris) by Jacques Philippe Le Bas, The Metropolitan Museum of Art

Reverse copy of Balais Balais (Brushes Brushes), plate 5 from "Le Cris de Paris" (The Cries of Paris)

Jacques Philippe Le Bas (d. 1783)

18th century · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Reverse copy of Noisettes (Nutcrackers), from Les Cris de Paris (The Cries of Paris) by Jacques Philippe Le Bas, The Metropolitan Museum of Art

Reverse copy of Noisettes (Nutcrackers), from Les Cris de Paris (The Cries of Paris)

Jacques Philippe Le Bas (d. 1783)

18th century · Etching and engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reverse copy of a design with Hercules and the Hydra, from Montants de trophées d'armes à l'antique, right-hand side of plate 1

Jean Le Pautre (d. 1682)

17th century · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reverse copy of shepherds dancing, with a shepherd playing the flute at right at putti at left, from Frises, plate 2

Jean Le Pautre (d. 1682)

17th century · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reverse copy of the Title Page depicting Hope above the cartouche bearing the inscription, from Montants de trophées d'armes à l'antique, left-hand side of plate 1

Jean Le Pautre (d. 1682)

17th century · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reverse copy of two variants for tables and mirors with Narcissus on the mirror, from Livre de miroirs, tables, et guéridons, plate 3

Jean Le Pautre (d. 1682)

17th century · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reverse copy of Venus mourning the death of Adonis, from a series of twenty-two plates depicting mythological subjects, plate 4

Jean Le Pautre (d. 1682)

17th century · Etching

In copyright

live
The MetSimilar

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