A painting can be out of copyright and thephotograph of it can still be protected.

Saint Jerome and Mary Magdalene

Monogrammist VBL (d. 1655)

first half of the 17th century · Black chalk, pen and black ink, brush and gray wash

Reverse Copy of Le Débarquement des Troupes (The Landing of the Troops)

Anonymous

17th century · Etching and engraving

Plate

Villeroy (d. 1748)

ca. 1740–45 · Tin-glazed soft-paste porcelain decorated in polychrome enamels

Plaque (tableau)

Sèvres Manufactory (d. 9999)

1761 · Soft-paste porcelain decorated in polychrome enamels

Young Women in a Landscape with Architectural Fragments

Hubert Robert (d. 1808)

ca. 1773 · Pen and brown ink, brush and brown, gray, and blue wash, over red chalk counterproof

Commode à vantaux

David Roentgen (d. 1807)

ca. 1775–79 with later alterations · Oak, pine, walnut, mahogany, and cherry veneered with hornbeam (partially stained), tulipwood, walnut, holly and maple (both partially stained), boxwood, mahogany, and other woods; red brocatelle marble; gilt bronze; iron, steel, and brass

The Sly Shepherd

Anonymous, French, 18th century (d. 1800)

18th century · Etching

Entrance to the Grotto of Posillipo

Hubert Robert (d. 1808)

n.d. · Brush and brown wash, over a red chalk counterproof with traces of black chalk; framing lines in pen and brown ink

Reverse copy of Alexander placed on his bed by his soldiers, from Grandes alcôves à la romaine, plate 3

Melchior Küsel (d. 1683)

17th century · Etching

Reverse copy of the friends and servants of Cato mourning the sight of his dead body outstretched on his bed, from Grandes alcôves à la romaine, plate 6

Melchior Küsel (d. 1683)

17th century · Etching

Documents concerning Parade: [Handwritten letter, from Massine to Cocteau, dated January 21]

Léonide Massine (d. 1979)

1916–17

Documents concerning Parade: [Notes by Cocteau addressed to Satie, "Pour le numéro de l'acrobate"]

Jean Cocteau (d. 1963)

1916–17