Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    447 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    319 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "Reverse Copy of Les Deux Pélerins (The T"12 records

Institutions answered newest-first by record, interleaved

Les Deux Pélerins (The Two Pilgrims), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons) by Jacques Callot, The Metropolitan Museum of Art

Les Deux Pélerins (The Two Pilgrims), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)

Jacques Callot (d. 1635)

ca. 1623 · Etching; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
Copy of Vue du Louvre (View of the Louvre), from "Les Deux Grandes Vues de Paris" (The Two Large Views of Paris) by Anonymous, The Metropolitan Museum of Art

Copy of Vue du Louvre (View of the Louvre), from "Les Deux Grandes Vues de Paris" (The Two Large Views of Paris)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Copy of Vue du Pont-Neuf (View of the Pont-Neuf), from "Les Deux Grandes Vues de Paris" (The Two Large Views of Paris) by Anonymous, The Metropolitan Museum of Art

Copy of Vue du Pont-Neuf (View of the Pont-Neuf), from "Les Deux Grandes Vues de Paris" (The Two Large Views of Paris)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Le Jardin, appelé aussi Le Marais (The Garden, also called The Marsh), plate 1 from "Les Quatre Paysages" (The Four Landscapes) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Le Jardin, appelé aussi Le Marais (The Garden, also called The Marsh), plate 1 from "Les Quatre Paysages" (The Four Landscapes)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Le Moulin a Eau (The Water Mill), plate 3 from "Les Quatre Paysages" (The Four Landscapes) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Le Moulin a Eau (The Water Mill), plate 3 from "Les Quatre Paysages" (The Four Landscapes)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Le Petit Port appelé aussi Le Port de Mer (The Small Port, also called the Sea Port), from "Les Quatre Paysages" (The Four Landscapes) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Le Petit Port appelé aussi Le Port de Mer (The Small Port, also called the Sea Port), from "Les Quatre Paysages" (The Four Landscapes)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Les Deux Mendiantes (The Two Female Beggars), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Les Deux Mendiantes (The Two Female Beggars), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Les Deux Pélerins (The Two Pilgrims), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Les Deux Pélerins (The Two Pilgrims), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Les Deux Personnages Assis (The Two Seated People), from "Les Caprices" Series A, The Florence Set by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Les Deux Personnages Assis (The Two Seated People), from "Les Caprices" Series A, The Florence Set

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Commode à vantaux by David Roentgen, The Metropolitan Museum of Art

Commode à vantaux

David Roentgen (d. 1807)

ca. 1775–79 with later alterations · Oak, pine, walnut, mahogany, and cherry veneered with hornbeam (partially stained), tulipwood, walnut, holly and maple (both partially stained), boxwood, mahogany, and other woods; red brocatelle marble; gilt bronze; iron, steel, and brass

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Les Deux Pélerins (The Two Pilgrims), plate 3 from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)

Jacques Callot (d. 1635)

ca. 1623 · Etching; second state of two (Lieure); possibly a re-strike by Israel Silvestre

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reverse Copy of Le Colombier (The Dovecote), from "Les Quatre Paysages" (The Four Landscapes)

Anonymous

17th century · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.