
The Poet (copy in reverse)
Jusepe de Ribera (called Lo Spagnoletto) (d. 1652)
ca. 1625–80 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
658 ms. The Metropolitan Museum of Art, Collection API (Open Access)
321 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 402 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Poet (copy in reverse)
Jusepe de Ribera (called Lo Spagnoletto) (d. 1652)
ca. 1625–80 · Etching
Cleared · Public Domain
live
The Adoration of the Magi (copy in reverse)
Carlo Maratti (d. 1713)
17th century · Etching; reverse copy (Bellini)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Adoration of the Shepherds (copy in reverse)
Giovanni Jacopo Caraglio (d. 1565)
1526 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reverse copy of Circular parterre in the shape of a labyrinth with a tree at center and buildings and a colonnade in the background, plate 4, from Perspective views of gardens with parterres
Hans Vredeman de Vries (d. 1606)
1615 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reverse copy of Courtyard of a palace with a square garden with a parterre forming a labyrinth and a tree in its square center, plate 3, from Perspective views of gardens with parterres
Hans Vredeman de Vries (d. 1606)
1615 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reverse copy of Garden composed of several fenced parterres with a labyrinth formed in diagonal lines in the central foreground, plate 7, from Perspective views of gardens with parterres
Hans Vredeman de Vries (d. 1606)
1615 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reverse copy of Garden with a central parterre in the shape of a labyrinth with a tree in a circular compartment at center, plate 16, from Hortorum viridariorumque elegantes et multiplicis formae
Hans Vredeman de Vries (d. 1606)
1615 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reverse copy of Garden with central parterre with square compartments in the diagonals and crosses in the corners, plate 9, from Hortorum viridariorumque elegantes et multiplicis formae
Hans Vredeman de Vries (d. 1606)
1615 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reverse copy of Garden with parterre forming a spiral movement in the central foreground and a house in the background, plate 2, from Perspective views of gardens with parterres
Hans Vredeman de Vries (d. 1606)
1615 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reverse copy of Parterre with circular labyrinth inscribed in a square form with a house, a covered gangway, an entrance portal and a niched wall in the background, plate 5, from Perspective views of gardens with parterres
Hans Vredeman de Vries (d. 1606)
1615 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reverse copy of Parterre with lobed square central panel laid out in labyrinth with men playing a ballgame in the background, plate 6, from Perspective views of gardens with parterres
Hans Vredeman de Vries (d. 1606)
1615 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Adoration of the Shepherds (copy in reverse)
Giovanni Jacopo Caraglio (d. 1565)
ca. 1630–60 · Engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.