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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    658 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    321 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 402 matching records exist across the two collections.

Results for "Reverse copy of Circular parterre in the"12 records

Institutions answered newest-first by record, interleaved

The Poet (copy in reverse) by Jusepe de Ribera (called Lo Spagnoletto), The Metropolitan Museum of Art

The Poet (copy in reverse)

Jusepe de Ribera (called Lo Spagnoletto) (d. 1652)

ca. 1625–80 · Etching

Cleared · Public Domain

live
The MetSimilar
The Adoration of the Magi (copy in reverse) by Carlo Maratti, The Metropolitan Museum of Art

The Adoration of the Magi (copy in reverse)

Carlo Maratti (d. 1713)

17th century · Etching; reverse copy (Bellini)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Adoration of the Shepherds (copy in reverse)

Giovanni Jacopo Caraglio (d. 1565)

1526 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reverse copy of Circular parterre in the shape of a labyrinth with a tree at center and buildings and a colonnade in the background, plate 4, from Perspective views of gardens with parterres

Hans Vredeman de Vries (d. 1606)

1615 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reverse copy of Courtyard of a palace with a square garden with a parterre forming a labyrinth and a tree in its square center, plate 3, from Perspective views of gardens with parterres

Hans Vredeman de Vries (d. 1606)

1615 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reverse copy of Garden composed of several fenced parterres with a labyrinth formed in diagonal lines in the central foreground, plate 7, from Perspective views of gardens with parterres

Hans Vredeman de Vries (d. 1606)

1615 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reverse copy of Garden with a central parterre in the shape of a labyrinth with a tree in a circular compartment at center, plate 16, from Hortorum viridariorumque elegantes et multiplicis formae

Hans Vredeman de Vries (d. 1606)

1615 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reverse copy of Garden with central parterre with square compartments in the diagonals and crosses in the corners, plate 9, from Hortorum viridariorumque elegantes et multiplicis formae

Hans Vredeman de Vries (d. 1606)

1615 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reverse copy of Garden with parterre forming a spiral movement in the central foreground and a house in the background, plate 2, from Perspective views of gardens with parterres

Hans Vredeman de Vries (d. 1606)

1615 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reverse copy of Parterre with circular labyrinth inscribed in a square form with a house, a covered gangway, an entrance portal and a niched wall in the background, plate 5, from Perspective views of gardens with parterres

Hans Vredeman de Vries (d. 1606)

1615 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reverse copy of Parterre with lobed square central panel laid out in labyrinth with men playing a ballgame in the background, plate 6, from Perspective views of gardens with parterres

Hans Vredeman de Vries (d. 1606)

1615 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Adoration of the Shepherds (copy in reverse)

Giovanni Jacopo Caraglio (d. 1565)

ca. 1630–60 · Engraving

In copyright

live
The MetSimilar

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