
The Betrayal of Christ (reverse copy in roundel)
Martin Schongauer (d. 1491)
late 15th–16th century · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
710 ms. The Metropolitan Museum of Art, Collection API (Open Access)
328 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 517 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Betrayal of Christ (reverse copy in roundel)
Martin Schongauer (d. 1491)
late 15th–16th century · Engraving
Cleared · Public Domain
live
Reverse Copy of The Judgment of Solomon
Heinrich Aldegrever (d. 1561)
1569 · Engraving
Cleared · Public Domain
live
The Dentist (reverse copy)
Jan Muller (d. 1628)
n.d.
Cleared · Public Domain
live
Raising of Lazarus (Reverse Copy)
Abraham Bloemaert (d. 1651)
n.d. · Engraving
Cleared · Public Domain
live
The Family (reverse copy)
Adriaen van Ostade (d. 1685)
1610–85 · Etching
Cleared · Public Domain
live
The Poet (copy in reverse)
Jusepe de Ribera (called Lo Spagnoletto) (d. 1652)
ca. 1625–80 · Etching
Cleared · Public Domain
live
The Adoration of the Magi (copy in reverse)
Carlo Maratti (d. 1713)
17th century · Etching; reverse copy (Bellini)
Cleared · Public Domain
live
The Windmill (reverse copy)
Rembrandt (Rembrandt van Rijn) (d. 1669)
n.d. · Etching; copy a
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Adoration of the Shepherds (copy in reverse)
Giovanni Jacopo Caraglio (d. 1565)
1526 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reverse Copy of The Pious Old Couple
Jacques de Gheyn, III (d. 1641)
1623 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Adoration of the Shepherds (copy in reverse)
Giovanni Jacopo Caraglio (d. 1565)
ca. 1630–60 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Raising of Lazarus: The Smaller Plate (reverse copy)
Rembrandt (Rembrandt van Rijn) (d. 1669)
n.d. · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.