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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    557 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    315 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 193 matching records exist across the two collections.

Results for "Reverse copy of a design with Hercules c"12 records

Institutions answered newest-first by record, interleaved

Copy in Reverse Design Orientation: Based on the Group of Reclining Figures at Left in Domenico Beccafumi's Scene of Moses Striking the Rock in the Pavement of Siena Cathedral by Domenico Beccafumi, The Metropolitan Museum of Art

Copy in Reverse Design Orientation: Based on the Group of Reclining Figures at Left in Domenico Beccafumi's Scene of Moses Striking the Rock in the Pavement of Siena Cathedral

Domenico Beccafumi (d. 1551)

October 15, 1596 · Pen and brown ink, brush and brown wash, over traces of black chalk; framing lines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of a Design for a Buckle with an Owl by Theodor de Bry, The Metropolitan Museum of Art

Reverse Copy of a Design for a Buckle with an Owl

Theodor de Bry (d. 1598)

1580–1600 · Engraving and blackwork

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Design for a Pendant, from "Ars His Myronis Nobilis Effingitus Pagellulis" by Paul Birckenhultz, The Metropolitan Museum of Art

Reverse Copy of Design for a Pendant, from "Ars His Myronis Nobilis Effingitus Pagellulis"

Paul Birckenhultz (d. 1639)

ca. 1600 · Engraving and blackwork

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Design for a Pendant, from "Ars His Myronis Nobilis Effingitus Pagellulis" by Paul Birckenhultz, The Metropolitan Museum of Art

Reverse Copy of Design for a Pendant, from "Ars His Myronis Nobilis Effingitus Pagellulis"

Paul Birckenhultz (d. 1639)

ca. 1600 · Engraving

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Design for a Pendant, from "Ars His Myronis Nobilis Effingitus Pagellulis" by Paul Birckenhultz, The Metropolitan Museum of Art

Reverse Copy of Design for a Pendant, from "Ars His Myronis Nobilis Effingitus Pagellulis"

Paul Birckenhultz (d. 1639)

ca. 1600 · Engraving

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Design for a Pendant, from "Ars His Myronis Nobilis Effingitus Pagellulis" by Paul Birckenhultz, The Metropolitan Museum of Art

Reverse Copy of Design for a Pendant, from "Ars His Myronis Nobilis Effingitus Pagellulis"

Paul Birckenhultz (d. 1639)

ca. 1600 · Engraving

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Design for a Pendant, from Ars His Myronis Nobilis Effingitus Pagellulis by Paul Birckenhultz, The Metropolitan Museum of Art

Reverse Copy of Design for a Pendant, from Ars His Myronis Nobilis Effingitus Pagellulis

Paul Birckenhultz (d. 1639)

ca. 1600 · Engraving

Cleared · Public Domain

live
The MetSimilar
Hercules and Cacus by Michelangelo Buonarroti, The Metropolitan Museum of Art

Hercules and Cacus

Michelangelo Buonarroti (d. 1564)

19th century? · Bronze

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)

Leonardo da Vinci (d. 1519)

ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Copy in Reverse of a Design for a Candlestick in the Antique Manner

Anonymous, Italian, 16th century (d. 1600)

ca. 1552–70 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reverse copy of a design with Hercules and the Hydra, from Montants de trophées d'armes à l'antique, right-hand side of plate 1

Jean Le Pautre (d. 1682)

17th century · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reverse copy of a design with Hercules crowned by a putto, from Montants de trophées d'armes à l'antique, left-hand side of plate 6

Jean Le Pautre (d. 1682)

17th century · Etching

In copyright

live
The MetSimilar

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