Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    204 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    288 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 381 matching records exist across the two collections.

Results for "Reverse copy of a design with two griffi"12 records

Institutions answered newest-first by record, interleaved

Reverse Copy of a Design for a Buckle with an Owl by Theodor de Bry, The Metropolitan Museum of Art

Reverse Copy of a Design for a Buckle with an Owl

Theodor de Bry (d. 1598)

1580–1600 · Engraving and blackwork

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Design for a Pendant, from "Ars His Myronis Nobilis Effingitus Pagellulis" by Paul Birckenhultz, The Metropolitan Museum of Art

Reverse Copy of Design for a Pendant, from "Ars His Myronis Nobilis Effingitus Pagellulis"

Paul Birckenhultz (d. 1639)

ca. 1600 · Engraving

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Design for a Pendant, from "Ars His Myronis Nobilis Effingitus Pagellulis" by Paul Birckenhultz, The Metropolitan Museum of Art

Reverse Copy of Design for a Pendant, from "Ars His Myronis Nobilis Effingitus Pagellulis"

Paul Birckenhultz (d. 1639)

ca. 1600 · Engraving

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Design for a Pendant, from "Ars His Myronis Nobilis Effingitus Pagellulis" by Paul Birckenhultz, The Metropolitan Museum of Art

Reverse Copy of Design for a Pendant, from "Ars His Myronis Nobilis Effingitus Pagellulis"

Paul Birckenhultz (d. 1639)

ca. 1600 · Engraving

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Design for a Pendant, from "Ars His Myronis Nobilis Effingitus Pagellulis" by Paul Birckenhultz, The Metropolitan Museum of Art

Reverse Copy of Design for a Pendant, from "Ars His Myronis Nobilis Effingitus Pagellulis"

Paul Birckenhultz (d. 1639)

ca. 1600 · Engraving and blackwork

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Design for a Pendant, from Ars His Myronis Nobilis Effingitus Pagellulis by Paul Birckenhultz, The Metropolitan Museum of Art

Reverse Copy of Design for a Pendant, from Ars His Myronis Nobilis Effingitus Pagellulis

Paul Birckenhultz (d. 1639)

ca. 1600 · Engraving

Cleared · Public Domain

live
The MetSimilar
Blackwork Design with Five Motifs by Georg Arnoldt, The Metropolitan Museum of Art

Blackwork Design with Five Motifs

Georg Arnoldt (d. 1636)

ca. 1581–1636 · Engraving and blackwork

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Diana, reverse copy from a suite of ornament designs with grotesques and deities

Etienne Delaune (d. 1583)

date not published · Engraving (?)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Candlestick in the Antique Manner with a Crayfish

Anonymous, Italian, 16th century (d. 1600)

1552 or ca. 1573 · Engraving; first or second edition

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Copy in Reverse of a Design for a Candlestick in the Antique Manner

Anonymous, Italian, 16th century (d. 1600)

ca. 1552–70 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reverse copy of a design with a river god at lower right with two sea horses, from Montants de trophées d'armes à l'antique, right-hand side of plate 5

Jean Le Pautre (d. 1682)

17th century · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Diana, reverse copy from a suite of ornament designs with grotesques and deities

Charles Dominique Joseph Eisen (d. 1778)

18th century (?) · Woodblock (?)

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.