
Terracotta bell-krater (bowl for mixing wine and water)
Methyse Painter
ca. 450 BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
609 ms. The Metropolitan Museum of Art, Collection API (Open Access)
591 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 100 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Terracotta bell-krater (bowl for mixing wine and water)
Methyse Painter
ca. 450 BCE · Terracotta
Cleared · Public Domain
live
Rosso antico torso of a centaur
Unrecorded maker
1st–2nd century CE · Marble, Rosso antico
Cleared · Public Domain
live
A River Landscape with the Baptism of the Eunuch
Hendrick Hondius I (d. 1650)
ca. 1605–25 · Pen and brown ink, brown and blue wash
Cleared · Public Domain
live
Venus in her Chariot from a set of Mythological Subjects after Raphael
Raphael (Raffaello Sanzio or Santi) (d. 1520)
designed 1686, woven 1689–92 · Wool, silk, silver thread (23-26 warps per inch, 10-11 per cm.)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hercules defeating the river god Acheolus in the form of a bull, with three women to his left holding cornucopias, from a series of six engravings of Herculean Subjects (copy in same direction)
Jacob Binck (d. 1569)
1520–39 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cupid and Death (from John Ogilby, "The Fables of Aesop," 1673)
Wenceslaus Hollar (d. 1677)
1673 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reverse copy of a design with a river god at lower right with two sea horses, from Montants de trophées d'armes à l'antique, right-hand side of plate 5
Jean Le Pautre (d. 1682)
17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reverse copy of a young river god, from Livre d'Académie, plate 12
Jean Le Pautre (d. 1682)
17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Man with a Hat and a Sword (reverse copy), from the series Figures a la Mode
Romeyn de Hooghe (d. 1708)
ca. 1700 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The descent of the Ganges (Gangavatarana)
Unrecorded maker
ca. 1899–1903 · Chromolithograph on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.