Reverse Copy of The Judgment of Solomon
Heinrich Aldegrever (d. 1561)
1569 · Engraving
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
444 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
345 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 451 matching records exist across the two collections.
Results for "Reverse copy of the Frontispiece: Gaigne"12 records
Institutions answered newest-first by record, interleaved
The Dentist (reverse copy)
Jan Muller (d. 1628)
n.d.
Cleared · Public Domain
liveThe MetSimilar
The Family (reverse copy)
Adriaen van Ostade (d. 1685)
1610–85 · Etching
Cleared · Public Domain
liveThe MetSimilar
The Poet (copy in reverse)
Jusepe de Ribera (called Lo Spagnoletto) (d. 1652)
ca. 1625–80 · Etching
Cleared · Public Domain
liveThe MetSimilar
The Adoration of the Magi (copy in reverse)
Carlo Maratti (d. 1713)
17th century · Etching; reverse copy (Bellini)
Cleared · Public Domain
liveThe MetSimilar
Frontispiece: Gaigne Petit, plate 1 from "Le Cris de Paris" (The Cries of Paris)
Simon Francis Ravenet, the elder (d. 1774)
18th century · Etching and engraving
Cleared · Public Domain
liveThe MetSimilar
Reverse copy of the Frontispiece: Gaigne Petit, plate 1 from "Le Cris de Paris" (The Cries of Paris)
Simon Francis Ravenet, the elder (d. 1774)
18th century · Etching and engraving
Cleared · Public Domain
liveThe MetSimilar
The Windmill (reverse copy)
Rembrandt (Rembrandt van Rijn) (d. 1669)
n.d. · Etching; copy a
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Adoration of the Shepherds (copy in reverse)
Giovanni Jacopo Caraglio (d. 1565)
1526 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reverse Copy of The Pious Old Couple
Jacques de Gheyn, III (d. 1641)
1623 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Adoration of the Shepherds (copy in reverse)
Giovanni Jacopo Caraglio (d. 1565)
ca. 1630–60 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Copy of Frontispiece, from "Les Fantaisies" (The Fantasies)
Jacques Callot (d. 1635)
after 1635 · Etching
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.