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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    444 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    523 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 269 matching records exist across the two collections.

Results for "Reverse molding"12 records

Institutions answered newest-first by record, interleaved

Terracotta coin molds by an unrecorded maker, The Metropolitan Museum of Art

Terracotta coin molds

Unrecorded maker

ca. 308–320 CE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Fragment of a Mold for Arretine Bowl by M. Perennius, The Cleveland Museum of Art

Fragment of a Mold for Arretine Bowl

M. Perennius

27 BCE–14 CE · Ceramic, terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Mold by an unrecorded maker, The Metropolitan Museum of Art

Mold

Unrecorded maker

late 9th–early 10th century · Earthenware; modeled and incised

Cleared · Public Domain

live
The MetSimilar
Mold for a Male Head by an unrecorded maker, The Cleveland Museum of Art

Mold for a Male Head

Unrecorded maker

1–300 CE · Sculpture, terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Gothic Doorway by an unrecorded maker, The Metropolitan Museum of Art

Gothic Doorway

Unrecorded maker

ca. 1520–30 · Limestone

Cleared · Public Domain

live
The MetSimilar
Solidus of Justinian I (reverse) by an unrecorded maker, The Cleveland Museum of Art

Solidus of Justinian I (reverse)

Unrecorded maker

545–565 · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Binding and Text-Block for the Mantiq al-Tayr (Language of the Birds) by Farid al-Din `Attar, The Metropolitan Museum of Art

Binding and Text-Block for the Mantiq al-Tayr (Language of the Birds)

Farid al-Din `Attar (d. 1220)

ca. 1600 · Binding: Leather, gold, and color; carved, impressed, and gilded Text-block: Ink, opaque watercolor, silver, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Solidus of Arkadios (reverse) by an unrecorded maker, The Cleveland Museum of Art

Solidus of Arkadios (reverse)

Unrecorded maker

395–408 CE · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Reverse ogee molding by an unrecorded maker, The Metropolitan Museum of Art

Reverse ogee molding

Unrecorded maker

mid-17th century · Poplar

Cleared · Public Domain

live
The MetSimilar
Seal of Doge Michele Steno (reverse) by an unrecorded maker, The Cleveland Museum of Art

Seal of Doge Michele Steno (reverse)

Unrecorded maker

1400–1409 · Metalwork, repoussé gold over a core of wax and resin

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Four-legged stool by an unrecorded maker, The Metropolitan Museum of Art

Four-legged stool

Unrecorded maker

ca. 1710 · Carved and gilded walnut, covered in mid-18th century French tapestry with modern silk tasseled fringe

Cleared · Public Domain

live
The MetSimilar
Tremissis of Honorius (reverse) by an unrecorded maker, The Cleveland Museum of Art

Tremissis of Honorius (reverse)

Unrecorded maker

395–423 CE · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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