Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    299 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    784 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 336 matching records exist across the two collections.

Results for "Reverse ogee molding"12 records

Institutions answered newest-first by record, interleaved

Engaged molding by an unrecorded maker, The Metropolitan Museum of Art

Engaged molding

Unrecorded maker

ca. 1315–30 · Poplar. Linen over panel, moldings and sides. Gilt; deep red-orange bole.

Cleared · Public Domain

live
The MetSimilar
Tabernacle frame by an unrecorded maker, The Metropolitan Museum of Art

Tabernacle frame

Unrecorded maker

second quarter 14th century · Pine. Gold-orange bole.

Cleared · Public Domain

live
The MetSimilar
Engaged cassetta frame on a polyptych panel by Siena, The Metropolitan Museum of Art

Engaged cassetta frame on a polyptych panel

Siena

ca. 1380 · Poplar. Mitered. Gilt; brown-orange bole.

Cleared · Public Domain

live
The MetSimilar
Reverse ogee frame by an unrecorded maker, The Metropolitan Museum of Art

Reverse ogee frame

Unrecorded maker

ca. 1645 · Poplar. Carved, gilt; red-brown bole.

Cleared · Public Domain

live
The MetSimilar
Reverse ogee frame by Italy (Naples), The Metropolitan Museum of Art

Reverse ogee frame

Italy (Naples) (d. 1680)

ca. 1660 · Poplar, marbleized base, carved and gilded frame

Cleared · Public Domain

live
The MetSimilar
Reverse ogee molding by an unrecorded maker, The Metropolitan Museum of Art

Reverse ogee molding

Unrecorded maker

mid-17th century · Poplar

Cleared · Public Domain

live
The MetSimilar
Reverse ogee frame by Southern Italy, The Metropolitan Museum of Art

Reverse ogee frame

Southern Italy (d. 1729)

late 17th–early 18th century · Poplar

Cleared · Public Domain

live
The MetSimilar
Ogee frame by an unrecorded maker, The Metropolitan Museum of Art

Ogee frame

Unrecorded maker

1720–30 · Oak lower molding; lime upper moldings.

Cleared · Public Domain

live
The MetSimilar
Reverse Hogarth molding by an unrecorded maker, The Metropolitan Museum of Art

Reverse Hogarth molding

Unrecorded maker

1740–50 · Pine back frame and feather keys; ebonized pearwood moldings

Cleared · Public Domain

live
The MetSimilar
Reverse ogee frame by an unrecorded maker, The Metropolitan Museum of Art

Reverse ogee frame

Unrecorded maker

mid-17th century · Single piece of poplar.

Cleared · Public Domain

live
The MetSimilar
Reverse ogee frame by an unrecorded maker, The Metropolitan Museum of Art

Reverse ogee frame

Unrecorded maker

late 19th century (style 17th century) · Poplar

Cleared · Public Domain

live
The MetSimilar
Reverse molding by an unrecorded maker, The Metropolitan Museum of Art

Reverse molding

Unrecorded maker

ca. 1910 · Pine

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.