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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    322 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    416 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 121 matching records exist across the two collections.

Results for "Rhetoric, plate 4 from "The Seven Libera"12 records

Institutions answered newest-first by record, interleaved

Absalom Comforting Tamar, from "The Story of Amnon and Tamar" by Heinrich Aldegrever, The Metropolitan Museum of Art

Absalom Comforting Tamar, from "The Story of Amnon and Tamar"

Heinrich Aldegrever (d. 1561)

1540 · Engraving; first state of two (New Hollstein)

Cleared · Public Domain

live
The MetSimilar
Arithmetic, from The Seven Liberal Arts, plate 4 by Monogrammist B, The Metropolitan Museum of Art

Arithmetic, from The Seven Liberal Arts, plate 4

Monogrammist B (d. 1550)

1544 · Engraving

Cleared · Public Domain

live
The MetSimilar
Rhetoric, from The Seven Liberal Arts, plate 3 by Monogrammist B, The Metropolitan Museum of Art

Rhetoric, from The Seven Liberal Arts, plate 3

Monogrammist B (d. 1550)

1544 · Engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Crowning with Thorns, plate 4 from "The Seven Bleedings of Christ"

Herman Müller

1565 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sol, The Sun, from The Seven Planets, plate 4

Herman Müller

ca. 1568 · Engraving; first state of four (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Apollo, plate 4 from "Seven Planetary Gods"

Jan (Pietersz.) Saenredam (d. 1607)

1596 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 4: Domine ne in furore, from "Septem Psalmi Davidici" (Seven Psalms of David)

Melchior Model (d. 1608)

1608 · Engraving, gold paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 4: The Walls of Babylon, from "The Seven Wonders of the World"

Antonio Tempesta (d. 1630)

1608 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rhetoric, plate 4 from "The Seven Liberal Arts"

Cornelis Drebbel (d. 1633)

1587–1633 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Justice, plate 4 from "The Seven Virtues"

Hendrick Goltzius (d. 1617)

published after 1597 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Justice, plate 4 from "The Seven Virtues", copy after Matham

Hendrick Goltzius (d. 1617)

published before 1652 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Formes et Couleurs, Planche 4

Auguste H. Thomas (d. 1935)

ca. 1930 (?) · Pochoir

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.