Half-length portrait of a bearded man in historical dress
Richard Parkes Bonington (d. 1828)
1818–28 · Brush and brown wash
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
835 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
371 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 450 matching records exist across the two collections.
Results for "Richard Dix in "To the Last Man" from We"11 records
Institutions answered newest-first by record, interleaved
![[Young Man] by Calvert Richard Jones, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP209365.jpg)
[Young Man]
Calvert Richard Jones (d. 1877)
late 1840s · Paper negative
Cleared · Public Domain
liveThe MetSimilar
Sketch to Illustrate the Passions–Ambition
Richard Dadd (d. 1886)
1854 · Pen and gray ink and watercolor, mounted on card
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bearded Man with a Staff Looking Up: Eighty-two prints engraved by F. Bartolozzi, etc., from the original drawings of Guercino in the collection of His Majesty, vol. I
Richard Dalton (d. 1791)
1792–98 · Etching, printed in brown ink
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bearded Man with Curly Hair, with his Right Arm Extended: Eighty-two prints engraved by F. Bartolozzi, etc., from the original drawings of Guercino in the collection of His Majesty, vol. I
Richard Dalton (d. 1791)
1792–98 · Etching, printed in brown ink
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Young Man Reading: Eighty-two prints engraved by F. Bartolozzi, etc., from the original drawings of Guercino in the collection of His Majesty, vol. I
Richard Dalton (d. 1791)
1792–98 · Etching, printed in brown ink
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Richard Dix from Motion Picture Stars trade cards (W618)
Kashin Publications
late 1920s · Commercial photolithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Richard Dix in "To the Last Man" from Western Stars or Scenes Exhibit Cards series (W412)
Unrecorded maker
ca. 1923 · Commercial color photolithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Richard Dix from Movie Star Portraits (Emo Movie Club) trade cards (R95)
Unrecorded maker
ca. 1935–38 · Commercial photolithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Man Overboard
Richard Bosman (d. 9999)
1981 · Woodcut
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Richard Avedon, Self Portrait, New York City
Richard Avedon (d. 2004)
May 31, 2002 · Gelatin silver print
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.