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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    577 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    259 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 26 matching records exist across the two collections.

Results for "Rievaulx Abbey, Yorkshire"12 records

Institutions answered newest-first by record, interleaved

The east end of Rievaulx Abbey, Yorkshire by John Sell Cotman, The Metropolitan Museum of Art

The east end of Rievaulx Abbey, Yorkshire

John Sell Cotman (d. 1842)

1803 · Watercolor and graphite with reductive techniques

Cleared · Public Domain

live
The MetSimilar
Rievaulx Abbey, Yorkshire by John Sell Cotman, The Cleveland Museum of Art

Rievaulx Abbey, Yorkshire

John Sell Cotman (d. 1842)

1810 · Print, etching

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Crypt of Kirkstall Abbey (Liber Studiorum, part VIII, plate 39) by Joseph Mallord William Turner, The Metropolitan Museum of Art

Crypt of Kirkstall Abbey (Liber Studiorum, part VIII, plate 39)

Joseph Mallord William Turner (d. 1851)

February 11, 1812 · Etching, aquatint and mezzotint; second state of four

Cleared · Public Domain

live
The MetSimilar
Rivaux Abbey, Yorkshire, part X, plate 51 from "Liber Studiorum" by Joseph Mallord William Turner, The Metropolitan Museum of Art

Rivaux Abbey, Yorkshire, part X, plate 51 from "Liber Studiorum"

Joseph Mallord William Turner (d. 1851)

May 23, 1812 · Etching and mezzotint; first state of four

Cleared · Public Domain

live
The MetSimilar
Fountains Abbey, Yorkshire by Thomas Sunderland, The Metropolitan Museum of Art

Fountains Abbey, Yorkshire

Thomas Sunderland (d. 1828)

mid-18th–early 19th century · Pen and ink, brush and blue and gray wash

Cleared · Public Domain

live
The MetSimilar
Rievaulx Abbey by Roger Fenton, The Metropolitan Museum of Art

Rievaulx Abbey

Roger Fenton (d. 1819)

1854 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Rievaulx Abbey, the High Altar by Roger Fenton, The Metropolitan Museum of Art

Rievaulx Abbey, the High Altar

Roger Fenton (d. 1819)

1854 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Wharfe and Pool, Below the Strid by Roger Fenton, The Metropolitan Museum of Art

Wharfe and Pool, Below the Strid

Roger Fenton (d. 1819)

1854 · Salted paper print

Cleared · Public Domain

live
The MetSimilar
On the Wharfe, Bolton Abbey by William Callow, The Metropolitan Museum of Art

On the Wharfe, Bolton Abbey

William Callow (d. 1908)

September 30, 1858 · Watercolor

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bolton Abbey in Olden Time

Sir Edwin Henry Landseer (d. 1873)

May 8, 1837 · Etching and mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bolton Abbey in Olden TIme

Sir Edwin Henry Landseer (d. 1873)

May 8, 1837 · Etching and mezzotint with touches of watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Fountains Abbey, North Yorkshire, UK, Looking West]

Unknown

1855–1870 · Albumen silver prints

In copyright

live
The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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