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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    286 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    535 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 877 matching records exist across the two collections.

Results for "Right Half of Wall Monument Design with"12 records

Institutions answered newest-first by record, interleaved

Design for a Wall Tomb or Monument (Recto); Smaller Variant Version with Half Length Madonna & Child on Crescent Moon (Verso) by Giovanni Francesco Penni, The Metropolitan Museum of Art

Design for a Wall Tomb or Monument (Recto); Smaller Variant Version with Half Length Madonna & Child on Crescent Moon (Verso)

Giovanni Francesco Penni (d. 1528)

1496–1528 · Pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Design for a Wall Elevation with Grotesques by Anonymous, Italian, second half of the 16th century, The Metropolitan Museum of Art

Design for a Wall Elevation with Grotesques

Anonymous, Italian, second half of the 16th century (d. 1600)

ca. 1540–70 · Pen and brown ink, brush and brown wash; some stylus ruling; highlighted with white gouache; on blue paper

Cleared · Public Domain

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The MetSimilar
Left Half of a Wall Decoration for a Chapel by Francesco Ferrari, The Metropolitan Museum of Art

Left Half of a Wall Decoration for a Chapel

Francesco Ferrari (d. 1708)

ca. 1690 · Pen, brown ink and wash with touches of blue and green wash, over black chalk

Cleared · Public Domain

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The MetSimilar
Left Half Design for Wall Monument with Escutcheon Motif by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Left Half Design for Wall Monument with Escutcheon Motif

Anonymous, Italian, 17th century (d. 1700)

17th century · Pen and brown ink, brush and brown wash,

Cleared · Public Domain

live
The MetSimilar
Right Half of Wall Monument Design with Urn Above by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Right Half of Wall Monument Design with Urn Above

Anonymous, Italian, 17th century (d. 1700)

17th century · Pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Design for the Decorative Scheme of a Wall by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Design for the Decorative Scheme of a Wall

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

ca. 1700–40 · Red chalk, brush and red wash over red chalk; ruled construction in leadpoint

Cleared · Public Domain

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The MetSimilar
Design for one half of an Altar with a Pilastered Wall at the Right by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Design for one half of an Altar with a Pilastered Wall at the Right

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and gray wash, over graphite, with ruled and compass construction. Scales at bottom in pen and brown ink; framing lines in pen and brown ink

Cleared · Public Domain

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The MetSimilar
One Half of a Design for a Wall with a Panel or a Mirror by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

One Half of a Design for a Wall with a Panel or a Mirror

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–80 · Pen and black ink, brush and gray wash, over leadpoint or graphite, with ruled and compass construction

Cleared · Public Domain

live
The MetSimilar
Three Designs for a Funerary Monument or Epitaph by Jean Michel Moreau le Jeune, The Metropolitan Museum of Art

Three Designs for a Funerary Monument or Epitaph

Jean Michel Moreau le Jeune (d. 1814)

ca. 1770–90 · Pen and ink, watercolor over graphite

Cleared · Public Domain

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The MetSimilar
Right Half of a Wall Elevation with a Church Altar by Anonymous, Italian, 18th century, The Metropolitan Museum of Art

Right Half of a Wall Elevation with a Church Altar

Anonymous, Italian, 18th century (d. 1800)

18th century · Pen and brown ink, brush and brown wash, over black chalk, highlighted with white gouache; some stylus-ruled construction

Cleared · Public Domain

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The MetSimilar
Plan of a Washington Monument by John William Orr, The Metropolitan Museum of Art

Plan of a Washington Monument

John William Orr (d. 1887)

1848 · Wood engraving

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vertical Symmetrical Design with Lines of Squares at Center, with Only the Right Half Painted

Anonymous, French, 20th century (d. 2000)

ca. 1910–29 · Charcoal, gouache and gold paint

In copyright

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The MetSimilar

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