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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    898 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    330 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 2,080 matching records exist across the two collections.

Results for "Right Half of a Design for an Altar in R"12 records

Institutions answered newest-first by record, interleaved

Design for an Altar Surmounted by a Crucifix in Four Different Views by Vincenzo de' Rossi, The Metropolitan Museum of Art

Design for an Altar Surmounted by a Crucifix in Four Different Views

Vincenzo de' Rossi (d. 1587)

1546–47 · Pen and brown ink, brush and gray-brown wash over traces of black chalk, ruling and compass work

Cleared · Public Domain

live
The MetSimilar
Left Half of a Wall Decoration for a Chapel by Francesco Ferrari, The Metropolitan Museum of Art

Left Half of a Wall Decoration for a Chapel

Francesco Ferrari (d. 1708)

ca. 1690 · Pen, brown ink and wash with touches of blue and green wash, over black chalk

Cleared · Public Domain

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The MetSimilar
Design for the right half of a chimneypiece by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Design for the right half of a chimneypiece

Anonymous, Italian, 17th century (d. 1700)

17th century · Pen and brown ink, brush and brown wash, over leadpoint

Cleared · Public Domain

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The MetSimilar
Design for the Right Half of an Overdoor Decoration with a Bust by Giovanni Battista Foggini, The Metropolitan Museum of Art

Design for the Right Half of an Overdoor Decoration with a Bust

Giovanni Battista Foggini (d. 1725)

1672–1725 · Pen and brown ink, brush and gray-brown wash; a vertical graphite line through the center of the design

Cleared · Public Domain

live
The MetSimilar
Model for an altar by an unrecorded maker, The Metropolitan Museum of Art

Model for an altar

Unrecorded maker

ca. 1700–1730 · Terracotta

Cleared · Public Domain

live
The MetSimilar
Right Half of a Design for an Altar in Rococo Style by Anonymous, German, South Germany, 18th century, The Metropolitan Museum of Art

Right Half of a Design for an Altar in Rococo Style

Anonymous, German, South Germany, 18th century (d. 1799)

ca. 1735–50 · Pen and brown ink, brush and gray and red wash

Cleared · Public Domain

live
The MetSimilar
Design for an Altar, plate 1 from an Untitled Series of Designs for Altars by Jacob Gottlieb Thelot, The Metropolitan Museum of Art

Design for an Altar, plate 1 from an Untitled Series of Designs for Altars

Jacob Gottlieb Thelot

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar
Design for an Altar, plate 2 from an Untitled Series of Designs for Altars by Jacob Gottlieb Thelot, The Metropolitan Museum of Art

Design for an Altar, plate 2 from an Untitled Series of Designs for Altars

Jacob Gottlieb Thelot

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar
Design for an Altar, plate 4 from an Untitled Series of Designs for Altars by Jacob Gottlieb Thelot, The Metropolitan Museum of Art

Design for an Altar, plate 4 from an Untitled Series of Designs for Altars

Jacob Gottlieb Thelot

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar
Design for one half of an Altar with a Pilastered Wall at the Right by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Design for one half of an Altar with a Pilastered Wall at the Right

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and gray wash, over graphite, with ruled and compass construction. Scales at bottom in pen and brown ink; framing lines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Half design for the decoration of an Altar with Putti by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Half design for the decoration of an Altar with Putti

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and ink over graphite; framing outlines in graphite (recto); pen and ink (verso)

Cleared · Public Domain

live
The MetSimilar
Halved Design for an Altar in a Chapel by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Halved Design for an Altar in a Chapel

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and gray ink, brush and gray wash, over graphite with ruled and compass construction

Cleared · Public Domain

live
The MetSimilar

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