
Fragment from the neck of a terracotta amphora
Unrecorded maker
ca. 850–750 BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
301 ms. The Metropolitan Museum of Art, Collection API (Open Access)
437 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 98 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fragment from the neck of a terracotta amphora
Unrecorded maker
ca. 850–750 BCE · Terracotta
Cleared · Public Domain
live
Terracotta fragment of a closed shape
Unrecorded maker
mid-4th century BCE · Terracotta
Cleared · Public Domain
live
Avalokiteshvara in a Multiarmed Tantric Form
Unrecorded maker
11th–12th century · Gilt arsenical bronze
Cleared · Public Domain
live
The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families
Giovanni di ser Giovanni Guidi (called Scheggia) (d. 1486)
ca. 1449 · Tempera, silver, and gold on wood
Cleared · Public Domain
live
Roundel with the Temptation of Saint Anthony
Unrecorded maker
1532 · Colorless glass, vitreous paint and silver stain
Cleared · Public Domain
live
Youth in a Chariot with Attendant Young Woman
Guercino (Giovanni Francesco Barbieri) (d. 1666)
ca. 1621–23 · Pen and brown ink, brush and brown wash
Cleared · Public Domain
live
Rinaldo rescued from Armida
Benjamin West (d. 1820)
1766–1800 · Graphite
Cleared · Public Domain
live
Bachelor's Fare, Bread, Cheese, and Kisses
Thomas Rowlandson (d. 1827)
February 10, 1813 · Hand-colored etching
Cleared · Public Domain
live
Hug-mug-gin
Thomas Rowlandson (d. 1827)
1815 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fame publishing the exploits of Henry II (La Renommée publiant les exploits de Henri II)
Etienne Delaune (d. 1583)
ca. 1557 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rinaldo in the arms of Armida who holds up a mirror, behind them, a colloseum, in the foreground at lower right, two kneeling soldiers from 'La Gerusalemme Liberata' by Torquato Tasso
Agostino Carracci (d. 1602)
1590 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Double plank figure with raised arms
Tellem or Dogon blacksmith
16th–19th century · Wood, applied organic materials
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.