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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    301 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    437 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 98 matching records exist across the two collections.

Results for "Rinaldo in the arms of Armida who holds"12 records

Institutions answered newest-first by record, interleaved

Fragment from the neck of a terracotta amphora by an unrecorded maker, The Metropolitan Museum of Art

Fragment from the neck of a terracotta amphora

Unrecorded maker

ca. 850–750 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta fragment of a closed shape by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a closed shape

Unrecorded maker

mid-4th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Avalokiteshvara in a Multiarmed Tantric Form by an unrecorded maker, The Metropolitan Museum of Art

Avalokiteshvara in a Multiarmed Tantric Form

Unrecorded maker

11th–12th century · Gilt arsenical bronze

Cleared · Public Domain

live
The MetSimilar
The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families by Giovanni di ser Giovanni Guidi (called Scheggia), The Metropolitan Museum of Art

The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families

Giovanni di ser Giovanni Guidi (called Scheggia) (d. 1486)

ca. 1449 · Tempera, silver, and gold on wood

Cleared · Public Domain

live
The MetSimilar
Roundel with the Temptation of Saint Anthony by an unrecorded maker, The Metropolitan Museum of Art

Roundel with the Temptation of Saint Anthony

Unrecorded maker

1532 · Colorless glass, vitreous paint and silver stain

Cleared · Public Domain

live
The MetSimilar
Youth in a Chariot with Attendant Young Woman by Guercino (Giovanni Francesco Barbieri), The Metropolitan Museum of Art

Youth in a Chariot with Attendant Young Woman

Guercino (Giovanni Francesco Barbieri) (d. 1666)

ca. 1621–23 · Pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Rinaldo rescued from Armida by Benjamin West, The Metropolitan Museum of Art

Rinaldo rescued from Armida

Benjamin West (d. 1820)

1766–1800 · Graphite

Cleared · Public Domain

live
The MetSimilar
Bachelor's Fare, Bread, Cheese, and Kisses by Thomas Rowlandson, The Metropolitan Museum of Art

Bachelor's Fare, Bread, Cheese, and Kisses

Thomas Rowlandson (d. 1827)

February 10, 1813 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Hug-mug-gin by Thomas Rowlandson, The Metropolitan Museum of Art

Hug-mug-gin

Thomas Rowlandson (d. 1827)

1815 · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fame publishing the exploits of Henry II (La Renommée publiant les exploits de Henri II)

Etienne Delaune (d. 1583)

ca. 1557 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rinaldo in the arms of Armida who holds up a mirror, behind them, a colloseum, in the foreground at lower right, two kneeling soldiers from 'La Gerusalemme Liberata' by Torquato Tasso

Agostino Carracci (d. 1602)

1590 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Double plank figure with raised arms

Tellem or Dogon blacksmith

16th–19th century · Wood, applied organic materials

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.