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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    117 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    279 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,925 matching records exist across the two collections.

Results for "Ring Fragment with ankh"12 records

Institutions answered newest-first by record, interleaved

Cowroid Inscribed with an Ankh by an unrecorded maker, The Metropolitan Museum of Art

Cowroid Inscribed with an Ankh

Unrecorded maker

ca. 1491–1473 BCE · Hematite, gold

Cleared · Public Domain

live
The MetSimilar
Ankh Ring Fragment by an unrecorded maker, The Metropolitan Museum of Art

Ankh Ring Fragment

Unrecorded maker

ca. 1386–1347 BCE · Faience, blue

Cleared · Public Domain

live
The MetSimilar
Mold for a Ring Bezel with an Ankh Hieroglyph by an unrecorded maker, The Metropolitan Museum of Art

Mold for a Ring Bezel with an Ankh Hieroglyph

Unrecorded maker

ca. 1386–1347 BCE · Pottery

Cleared · Public Domain

live
The MetSimilar
Ring Fragment Inscribed with an Ankh by an unrecorded maker, The Metropolitan Museum of Art

Ring Fragment Inscribed with an Ankh

Unrecorded maker

ca. 1386–1347 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Ring Fragment with ankh by an unrecorded maker, The Metropolitan Museum of Art

Ring Fragment with ankh

Unrecorded maker

ca. 1386–1347 BCE · Faience, blue

Cleared · Public Domain

live
The MetSimilar
Ring Fragment with ankh by an unrecorded maker, The Metropolitan Museum of Art

Ring Fragment with ankh

Unrecorded maker

ca. 1386–1347 BCE · Faience, blue

Cleared · Public Domain

live
The MetSimilar
Ring Fragment with ankh by an unrecorded maker, The Metropolitan Museum of Art

Ring Fragment with ankh

Unrecorded maker

ca. 1386–1347 BCE · Faience, apple green

Cleared · Public Domain

live
The MetSimilar
Ring Fragment with Ankh by an unrecorded maker, The Metropolitan Museum of Art

Ring Fragment with Ankh

Unrecorded maker

ca. 1386–1347 BCE · Faience, dark blue

Cleared · Public Domain

live
The MetSimilar
Ring Fragment with Ankh by an unrecorded maker, The Metropolitan Museum of Art

Ring Fragment with Ankh

Unrecorded maker

ca. 1386–1347 BCE · Faience, blue

Cleared · Public Domain

live
The MetSimilar
Ring with a scarab inscribed with an ankh by an unrecorded maker, The Metropolitan Museum of Art

Ring with a scarab inscribed with an ankh

Unrecorded maker

ca. 1080–721 BCE · Silver, travertine (Egyptian alabaster), gold

Cleared · Public Domain

live
The MetSimilar
Silver swivel ring with sard scarab by an unrecorded maker, The Metropolitan Museum of Art

Silver swivel ring with sard scarab

Unrecorded maker

8th–early 7th century BCE · Silver, sard

Cleared · Public Domain

live
The MetSimilar
Silver swivel ring with sard scarab by an unrecorded maker, The Metropolitan Museum of Art

Silver swivel ring with sard scarab

Unrecorded maker

7th–early 5th century BCE · Silver, sard

Cleared · Public Domain

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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