Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    383 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    321 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 5,556 matching records exist across the two collections.

Results for "Ring with glass paste"12 records

Institutions answered newest-first by record, interleaved

Silver ring with glass paste scarab by an unrecorded maker, The Metropolitan Museum of Art

Silver ring with glass paste scarab

Unrecorded maker

8th–6th century BCE · Silver, glass paste

Cleared · Public Domain

live
The MetSimilar
Gold ring with glass paste ring stone by an unrecorded maker, The Metropolitan Museum of Art

Gold ring with glass paste ring stone

Unrecorded maker

8th–6th century BC · Gold, glass paste

Cleared · Public Domain

live
The MetSimilar
Gold ring with glass paste ring stone by an unrecorded maker, The Metropolitan Museum of Art

Gold ring with glass paste ring stone

Unrecorded maker

6th–5th century BCE · Gold, glass paste

Cleared · Public Domain

live
The MetSimilar
Gold ring with glass paste ring stone by an unrecorded maker, The Metropolitan Museum of Art

Gold ring with glass paste ring stone

Unrecorded maker

6th–5th century BCE · Gold, glass paste

Cleared · Public Domain

live
The MetSimilar
Gold ring with glass scarab by an unrecorded maker, The Metropolitan Museum of Art

Gold ring with glass scarab

Unrecorded maker

664-334 BCE · Gold, glass paste

Cleared · Public Domain

live
The MetSimilar
Glass ring by an unrecorded maker, The Metropolitan Museum of Art

Glass ring

Unrecorded maker

4th–3rd century BCE · Glass

Cleared · Public Domain

live
The MetSimilar
Glass finger ring by an unrecorded maker, The Metropolitan Museum of Art

Glass finger ring

Unrecorded maker

3rd–2nd century BCE · Glass

Cleared · Public Domain

live
The MetSimilar
Glass finger ring by an unrecorded maker, The Metropolitan Museum of Art

Glass finger ring

Unrecorded maker

3rd–2nd century BCE · Glass

Cleared · Public Domain

live
The MetSimilar
Ring with glass bezel by an unrecorded maker, The Metropolitan Museum of Art

Ring with glass bezel

Unrecorded maker

1st century BCE–3rd century CE · Gold, glass paste

Cleared · Public Domain

live
The MetSimilar
Ring with glass paste by an unrecorded maker, The Metropolitan Museum of Art

Ring with glass paste

Unrecorded maker

1st century BCE–3rd century CE · Gold, glass paste

Cleared · Public Domain

live
The MetSimilar
Ring with glass paste by an unrecorded maker, The Metropolitan Museum of Art

Ring with glass paste

Unrecorded maker

330 · Gold, glass paste

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gold ring with glass setting

Unrecorded maker

1st century BCE–3rd century CE · gold, glass paste

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.