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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    953 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    276 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 11 matching records exist across the two collections.

Results for "Rishi coffin"11 records

Institutions answered newest-first by record, interleaved

Lid of Coffin by an unrecorded maker, The Metropolitan Museum of Art

Lid of Coffin

Unrecorded maker

ca. 1580–1479 BCE · Wood (Abies sp. or Cedrus sp.)

Cleared · Public Domain

live
The MetSimilar
Rishi coffin by an unrecorded maker, The Metropolitan Museum of Art

Rishi coffin

Unrecorded maker

ca. 1580–1479 BCE · Sycomore wood, stucco, paint

Cleared · Public Domain

live
The MetSimilar
Rishi coffin by an unrecorded maker, The Metropolitan Museum of Art

Rishi coffin

Unrecorded maker

ca. 1580–1479 BCE · Sycomore wood, stucco, paint

Cleared · Public Domain

live
The MetSimilar
Rishi coffin by an unrecorded maker, The Metropolitan Museum of Art

Rishi coffin

Unrecorded maker

ca. 1580–1479 BCE · Sycomore wood, stucco, paint

Cleared · Public Domain

live
The MetSimilar
Rishi coffin of Puhorsenbu by an unrecorded maker, The Metropolitan Museum of Art

Rishi coffin of Puhorsenbu

Unrecorded maker

ca. 1580–1479 BCE · Sycomore wood, stucco, paint

Cleared · Public Domain

live
The MetSimilar
Coffin of Ahmose by an unrecorded maker, The Metropolitan Museum of Art

Coffin of Ahmose

Unrecorded maker

ca. 1550–1458 BCE · Sycomore wood, stucco, paint

Cleared · Public Domain

live
The MetSimilar
Rishi coffin by an unrecorded maker, The Metropolitan Museum of Art

Rishi coffin

Unrecorded maker

ca. 1640–1550 B.C. · Wood (ficus sycomorus), stucco, paint

Cleared · Public Domain

live
The MetSimilar
Rishi coffin of the Lady Rini by an unrecorded maker, The Metropolitan Museum of Art

Rishi coffin of the Lady Rini

Unrecorded maker

ca. 1640–1550 B.C. · Wood (ficus sycomorus), stucco, paint, paraffin

Cleared · Public Domain

live
The MetSimilar
Rishi coffin by an unrecorded maker, The Metropolitan Museum of Art

Rishi coffin

Unrecorded maker

ca. 1640–1504 BCE · Sycomore wood, stucco, paint

Cleared · Public Domain

live
The MetSimilar
Rishi Coffin by an unrecorded maker, The Metropolitan Museum of Art

Rishi Coffin

Unrecorded maker

ca. 1550–1300 BCE · Wood, stucco, paint

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fragment of a rishi coffin

Unrecorded maker

ca. 1580–1479 BCE · Sycomore wood

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.