
Saint Jerome Praying in a Landscape
Niccolò dell' Abate (d. 1571)
1550–60 · Pen and brown ink, brush and brown wash, highlighted with white gouache
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
547 ms. The Metropolitan Museum of Art, Collection API (Open Access)
299 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 857 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Saint Jerome Praying in a Landscape
Niccolò dell' Abate (d. 1571)
1550–60 · Pen and brown ink, brush and brown wash, highlighted with white gouache
Cleared · Public Domain
live
Rocky, Wooded Landscape with a Dell and Weir
Thomas Gainsborough (d. 1788)
c. 1782–1783 · Painting, oil on canvas
Cleared · CC0
live
A Wooded River Landscape with a Church and Figures
Hendrick Avercamp (d. 1634)
ca. 1613 · Gouache, watercolor, over lead point or graphite, on paper prepared with gouache; framing line in pen and brown ink and gold paint
Cleared · Public Domain
live
Wooded Landscape with a River, Castle, and Town Beyond
Denijs van Alsloot (d. 1626)
1611 · Pen and brown ink, brush and brown wash, and some yellow, pink, and blue watercolor, over traces of black chalk
Cleared · Public Domain
live
Wooded Landscape with Stag Hunt
Tobias Verhaecht (d. 1631)
late 16th–early 17th century · Black chalk, pen and brown ink, brown wash
Cleared · Public Domain
live
Rocky Landscape With a Bridge and a House
Charles Cornelisz. de Hooch (d. 1638)
early 17th century · Pen and brown ink, brown wash, incised for transfer; framing line in pen and black ink, probably by a later hand
Cleared · Public Domain
live
Wooded Landscape
Anthonie Waterloo (d. 1690)
1630–90 · Black chalk and brush and black ink, gray and grayish black wash, heightened with white. Verso: (by the artist?) in pen and brown ink over black chalk.
Cleared · Public Domain
live
Wooded Landscape with a Tower
Anonymous, French, 17th century (d. 1700)
17th century · Pen and brown ink, brush and brown wash, over graphite; framing lines in graphite
Cleared · Public Domain
live
A wooded and rocky landscape
Raphael Lamar West (d. 1850)
ca. 1800 · Black and white chalk on blue paper
Cleared · Public Domain
live
Wooded Landscape with a Creek
Christoph Nathe (d. 1806)
1770–1806 · Brush and gray and brown ink, over a graphite (?) sketch
Cleared · Public Domain
live
A wooded river landscape with cattle
Benjamin Barker, the younger (d. 1838)
1826 · Oil on paper mounted on card
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wooded landscape
Wenceslaus Hollar (d. 1677)
1644 · Etching; first state of four
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.