
Design for Mirror Frame
Giovanni Battista Natali III (d. 1765)
ca. 1720–40 · Pen and brown ink, brush with gray and brown wash, over traces of graphite or black chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
211 ms. The Metropolitan Museum of Art, Collection API (Open Access)
384 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 19,389 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for Mirror Frame
Giovanni Battista Natali III (d. 1765)
ca. 1720–40 · Pen and brown ink, brush with gray and brown wash, over traces of graphite or black chalk
Cleared · Public Domain
live
Saint Deicolus and the Boar
Johann Wolfgang Baumgartner (d. 1761)
1747–48 · Drawing, pen and brown and gray inks and brush and gray wash heightened with white gouache; incised, verso coated with red chalk
Cleared · CC0
live
Design for a frame
Jean Charles Delafosse (d. 1789)
ca. 1750 · Pen and ink with brown wash
Cleared · Public Domain
live
Design for a Frame
Johann Oktavian Salver (d. 1788)
1750–88 · Brush and black ink and gray wash over traced of black chalk; incised for transfer; flaps of paper added at top and bottom turned under
Cleared · Public Domain
live
Design for a Frame
Sir William Chambers (d. 1796)
1743–1800 · Pen and brown ink, brush and gray wash, over graphite
Cleared · Public Domain
live
Design for a Frame
Sir William Chambers (d. 1796)
1743–1800 · Pen and brown ink, brush and gray wash, over graphite
Cleared · Public Domain
live
Rococo Design for a Frame
Anonymous, Italian, 18th century (d. 1800)
18th century · Pen and brown in ink over pencil with gray wash
Cleared · Public Domain
live
Design for a Frame
Charles Hindley and Sons (d. 1917)
1841–84 · Graphite
Cleared · Public Domain
live
Design for a Frame
Charles Hindley and Sons (d. 1917)
1841–84 · Graphite
Cleared · Public Domain
live
Design for a Frame
Charles Hindley and Sons (d. 1917)
1841–84 · Graphite
Cleared · Public Domain
live
Design for a Frame
Anonymous, Italian, 19th century (d. 1900)
1800–1900 · Pen and ink and wash
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Rococo Altar
Johann Gottlieb Thelot (d. 1760)
ca. 1727–60 · Engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.