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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    445 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    234 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 832 matching records exist across the two collections.

Results for "Roman Ruins: Title Page"12 records

Institutions answered newest-first by record, interleaved

Cover Page from Geometria et Perspectiva by Lorenz Stoer, The Metropolitan Museum of Art

Cover Page from Geometria et Perspectiva

Lorenz Stoer (d. 1621)

1567 · Woodcut in a bound volume with 13 sheets

Cleared · Public Domain

live
The MetSimilar
Title page for "Roman Emperors on Horseback" by Adriaen Collaert, The Metropolitan Museum of Art

Title page for "Roman Emperors on Horseback"

Adriaen Collaert (d. 1618)

ca. 1587–89 · Engraving; first state of two

Cleared · Public Domain

live
The MetSimilar
Title page: Decapla in Psalmos by Wenceslaus Hollar, The Metropolitan Museum of Art

Title page: Decapla in Psalmos

Wenceslaus Hollar (d. 1677)

1639 · Etching; first state of two

Cleared · Public Domain

live
The MetSimilar
Second version of title page from "Roman Ruins" by Wenceslaus Hollar, The Metropolitan Museum of Art

Second version of title page from "Roman Ruins"

Wenceslaus Hollar (d. 1677)

ca. 1650 · Etching, second state of two (NH) (copy?)

Cleared · Public Domain

live
The MetSimilar
Title plate, from "Roman Ruins" by Wenceslaus Hollar, The Metropolitan Museum of Art

Title plate, from "Roman Ruins"

Wenceslaus Hollar (d. 1677)

ca. 1650 · Etching (copy)

Cleared · Public Domain

live
The MetSimilar
Title Page: 24 Caricatures by Several Ladies, Gentlemen, Artists, &c. by Matthias Darly, The Metropolitan Museum of Art

Title Page: 24 Caricatures by Several Ladies, Gentlemen, Artists, &c.

Matthias Darly (d. 1780)

November 1, 1771 · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Geometric forms among ruins, Plate 5 from Geometria et Perspectiva

Lorenz Stoer (d. 1621)

1567 · Woodcut in a bound volume with 13 sheets

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title Page from Geometria et Perspectiva

Lorenz Stoer (d. 1621)

1567 · Woodcut in black and brown ink, in a bound volume with 13 sheets

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Allegory of Rome, title page to "The Roman Heroes"

Hendrick Goltzius (d. 1617)

1586 · Engraving, state II/V

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Antiquitatis aestimator et styli, Title page to a set of 9 plates of Roman ruins

Jan (Gerritsz.) van Bronchorst (d. 1665)

ca. 1636–1661 · Etching; second state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Roman Ruins: Title Page

Wenceslaus Hollar (d. 1677)

1650 · Etching; second state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Restes du Portique du Temple de Jupiter Stator, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.