
The Triumph of Love, from "The Triumphs of Petrarch"
Francesco Rosselli (d. 1527)
1480–1500 · Engraving; first state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
355 ms. The Metropolitan Museum of Art, Collection API (Open Access)
669 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 83 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Triumph of Love, from "The Triumphs of Petrarch"
Francesco Rosselli (d. 1527)
1480–1500 · Engraving; first state of two
Cleared · Public Domain
live
Marforius
Nicolas Beatrizet (d. 1566)
1550 · Engraving
Cleared · Public Domain
live
Marforius, from "Speculum Romanae Magnificentiae"
Nicolas Beatrizet (d. 1566)
1550 · Engraving
Cleared · Public Domain
live
Fragments from ancient monuments, plate 1 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella (d. 1664)
ca. 1646 · Etching; fourth state of nine (Talbierska)
Cleared · Public Domain
live
Equestrian Statue of Marcus Aurelius
Hubert Robert (d. 1808)
1757 · Pen and black ink, brush and gray and brown wash, pale rose watercolor and white heightening over black chalk.
Cleared · Public Domain
live
Temple de Venus et de Rome, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
Cleared · Public Domain
live
Torre dei Schiavi, The Roman Campagna (from Cropsey Album)
Jasper Francis Cropsey (d. 1900)
1853 · Graphite, white gouache, and brown and gray ink washes on dark buff wove paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Aeneas looking for the road to hell
Etienne Delaune (d. 1583)
before 1573 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Roman ruins including a pedestal ornamented with a trophy of arms beneath a tree
Jean Le Pautre (d. 1682)
17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Partie d'un Bas relief antique dans la Cour du Palais Justinien, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Restes des Thermes de Tite, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Temple de Minerve Medica prés la Porte Majeure, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.