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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    355 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    669 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 83 matching records exist across the two collections.

Results for "Roman ruins including a pedestal ornamen"12 records

Institutions answered newest-first by record, interleaved

The Triumph of Love, from "The Triumphs of Petrarch" by Francesco Rosselli, The Metropolitan Museum of Art

The Triumph of Love, from "The Triumphs of Petrarch"

Francesco Rosselli (d. 1527)

1480–1500 · Engraving; first state of two

Cleared · Public Domain

live
The MetSimilar
Marforius by Nicolas Beatrizet, The Metropolitan Museum of Art

Marforius

Nicolas Beatrizet (d. 1566)

1550 · Engraving

Cleared · Public Domain

live
The MetSimilar
Marforius, from "Speculum Romanae Magnificentiae" by Nicolas Beatrizet, The Metropolitan Museum of Art

Marforius, from "Speculum Romanae Magnificentiae"

Nicolas Beatrizet (d. 1566)

1550 · Engraving

Cleared · Public Domain

live
The MetSimilar
Fragments from ancient monuments, plate 1 from "Roman landscapes and ruins" (Paysages et ruines de Rome) by Stefano della Bella, The Metropolitan Museum of Art

Fragments from ancient monuments, plate 1 from "Roman landscapes and ruins" (Paysages et ruines de Rome)

Stefano della Bella (d. 1664)

ca. 1646 · Etching; fourth state of nine (Talbierska)

Cleared · Public Domain

live
The MetSimilar
Equestrian Statue of Marcus Aurelius by Hubert Robert, The Metropolitan Museum of Art

Equestrian Statue of Marcus Aurelius

Hubert Robert (d. 1808)

1757 · Pen and black ink, brush and gray and brown wash, pale rose watercolor and white heightening over black chalk.

Cleared · Public Domain

live
The MetSimilar
Temple de Venus et de Rome, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore" by Jean Barbault, The Metropolitan Museum of Art

Temple de Venus et de Rome, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

Cleared · Public Domain

live
The MetSimilar
Torre dei Schiavi, The Roman Campagna (from Cropsey Album) by Jasper Francis Cropsey, The Metropolitan Museum of Art

Torre dei Schiavi, The Roman Campagna (from Cropsey Album)

Jasper Francis Cropsey (d. 1900)

1853 · Graphite, white gouache, and brown and gray ink washes on dark buff wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Aeneas looking for the road to hell

Etienne Delaune (d. 1583)

before 1573 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Roman ruins including a pedestal ornamented with a trophy of arms beneath a tree

Jean Le Pautre (d. 1682)

17th century · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Partie d'un Bas relief antique dans la Cour du Palais Justinien, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Restes des Thermes de Tite, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Temple de Minerve Medica prés la Porte Majeure, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

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