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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    512 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    359 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 25 matching records exist across the two collections.

Results for "Rome, Quirinale"12 records

Institutions answered newest-first by record, interleaved

Statues of the Dioscuri at the Quirinal, Rome by Anonymous, The Metropolitan Museum of Art

Statues of the Dioscuri at the Quirinal, Rome

Anonymous

1546 · Engraving

Cleared · Public Domain

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The MetSimilar
Eighteen Views of Rome: The Quirinale by Lievin Cruyl, The Cleveland Museum of Art

Eighteen Views of Rome: The Quirinale

Lievin Cruyl (d. 1720)

1664 · Drawing, pen and brown ink and brush and gray wash over graphite; framing lines in brown ink

Cleared · CC0

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Cleveland Museum of ArtSimilar
Statues of the Dioscuri at the Quirinal, Rome, from "Speculum Romanae Magnificentiae" by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Statues of the Dioscuri at the Quirinal, Rome, from "Speculum Romanae Magnificentiae"

Anonymous, Italian, 16th century (d. 1600)

1546 · Engraving

Cleared · Public Domain

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The MetSimilar
Eighteen Views of Rome: The Trevi Fountain by Lievin Cruyl, The Cleveland Museum of Art

Eighteen Views of Rome: The Trevi Fountain

Lievin Cruyl (d. 1720)

1665 · Drawing, pen and brown ink and brush and gray wash over graphite; framing lines in brown ink

Cleared · CC0

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Cleveland Museum of ArtSimilar
Design for a Wall Decoration with the Sacrifice of Abraham and the Flight into Egypt by Giovanni Lanfranco, The Metropolitan Museum of Art

Design for a Wall Decoration with the Sacrifice of Abraham and the Flight into Egypt

Giovanni Lanfranco (d. 1647)

1582–1647 · Pen and brown ink, brush and brown wash, over traces of red chalk, highlighted with white gouache, on blue paper; architectural moldings above and below indicated in ruled black chalk lines

Cleared · Public Domain

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The MetSimilar
Eighteen Views of Rome: The Piazza Barberini (recto) by Lievin Cruyl, The Cleveland Museum of Art

Eighteen Views of Rome: The Piazza Barberini (recto)

Lievin Cruyl (d. 1720)

1665 · Drawing, pen and brown ink and brush and gray wash with graphite; framing lines in brown ink and graphite (along bottom edge); sketch unrelated to main composition in graphite (upper right)

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Vision of Saint William of Aquitaine by Giovanni Angelo Canini, The Metropolitan Museum of Art

The Vision of Saint William of Aquitaine

Giovanni Angelo Canini (d. 1666)

late 1650s · Brush and brown wash, highlighted with white gouache, over black chalk, on brown-washed paper

Cleared · Public Domain

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The MetSimilar
Eighteen Views of Rome: The Campo Vaccino (The Roman Forum) by Lievin Cruyl, The Cleveland Museum of Art

Eighteen Views of Rome: The Campo Vaccino (The Roman Forum)

Lievin Cruyl (d. 1720)

1665 · Drawing, pen and brown ink and brush and gray wash over stylus and graphite; framing lines in brown ink

Cleared · CC0

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Cleveland Museum of ArtSimilar
Cross-section of the church of Sant'Andrea al Quirinale, Rome, showing lantern, cupola, and altar by Giovanni Francesco Venturini, The Metropolitan Museum of Art

Cross-section of the church of Sant'Andrea al Quirinale, Rome, showing lantern, cupola, and altar

Giovanni Francesco Venturini (d. 1700)

ca. 1658–1700 · Engraving

Cleared · Public Domain

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The MetSimilar
Eighteen Views of Rome: The Piazza Barberini (recto); Tracing of a Fountain from recto and Sketches of Two Faces (verso) by Lievin Cruyl, The Cleveland Museum of Art

Eighteen Views of Rome: The Piazza Barberini (recto); Tracing of a Fountain from recto and Sketches of Two Faces (verso)

Lievin Cruyl (d. 1720)

1665 · Drawing, pen and brown ink and brush and gray wash with graphite; framing lines in brown ink and graphite (along bottom edge); sketch unrelated to main composition in graphite (upper right)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Piazza del Quirinale, Rome by Anonymous, Italian, 18th century, The Metropolitan Museum of Art

Piazza del Quirinale, Rome

Anonymous, Italian, 18th century (d. 1800)

18th century · Pen and brown ink, brush and gray wash, over black chalk

Cleared · Public Domain

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The MetSimilar
View on the Quirinal Hill, Rome by Simon Denis, The Metropolitan Museum of Art

View on the Quirinal Hill, Rome

Simon Denis (d. 1813)

1800 · Oil on paper, laid down on canvas

Cleared · Public Domain

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The MetSimilar

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