
Pierced Window Screen (Jali)
Unrecorded maker
second half 16th century · Red sandstone; pierced, carved
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
2426 ms. The Metropolitan Museum of Art, Collection API (Open Access)
438 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 605 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Pierced Window Screen (Jali)
Unrecorded maker
second half 16th century · Red sandstone; pierced, carved
Cleared · Public Domain
live
Painting of One Hundred Themes
Unrecorded maker
late 1800s · Painting, Ten-panel folding screen affixed with album leaves (obverse), calligraphy (reverse), ink and color on silk
Cleared · CC0
live
Pierced Window Screen (Jali)
Unrecorded maker
second half 16th century · Red sandstone; pierced, carved
Cleared · Public Domain
live
Calligraphy (reverse)
Unrecorded maker
late 1800s · Painting, Ten-panel folding screen affixed with album leaves (obverse), calligraphy (reverse), ink and color on silk
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Column
Louis C. Tiffany (d. 1933)
1905 · Mosaic, plaster, glass, and iron
In copyright
live
Flowers and Grasses
Kitagawa Sōsetsu
mid-1600s · Painting, Pair of six-panel folding screens; ink and color on paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a three screen room divider
L. & J. G. Stickley of Fayetteville, New York
ca. 1901–16 · Graphite, black chalk
In copyright
live
Flowers and Grasses
Kitagawa Sōsetsu
mid-1600s · Painting, pair of six-fold screens, ink and color on paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a three screen room divider
L. & J. G. Stickley of Fayetteville, New York
ca. 1901–16 · Graphite, black chalk
In copyright
live
Flowers and Grasses
Kitagawa Sōsetsu
mid-1600s · Painting, One of a pair of six-panel folding screens; ink and color on paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Perspective of Living Room with Bookcase-Divider
Guglielmo Ulrich (d. 1904)
ca. 1939 · Colored crayon-pencil
In copyright
live
Loin Cloth "Pha nung" or Cloth for Wrapped Garment
Unrecorded maker
late 1800s-early 1900s · Textile, tabby weave, mordant resist and batik; cotton
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.