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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    178 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    285 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 162 matching records exist across the two collections.

Results for "Roundel with the Last Supper"12 records

Institutions answered newest-first by record, interleaved

Plaque with the Last Supper by an unrecorded maker, The Metropolitan Museum of Art

Plaque with the Last Supper

Unrecorded maker

15th century (?) · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Panel with the Last Supper by an unrecorded maker, The Metropolitan Museum of Art

Panel with the Last Supper

Unrecorded maker

early 16th century · Oak

Cleared · Public Domain

live
The MetSimilar
Roundel with the Last Supper by an unrecorded maker, The Metropolitan Museum of Art

Roundel with the Last Supper

Unrecorded maker

1515–25 · Colorless glass, silver stain, vitreous paint

Cleared · Public Domain

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The MetSimilar
The Last Supper by Bernard van Orley, The Metropolitan Museum of Art

The Last Supper

Bernard van Orley (d. 1542)

ca. 1525–28 · Wool, silk, silver-gilt thread.

Cleared · Public Domain

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The MetSimilar
The Last Supper by Livio Agresti da Forlì, The Metropolitan Museum of Art

The Last Supper

Livio Agresti da Forlì (d. 1580)

1582 · Copper

Cleared · Public Domain

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The MetSimilar
The Last Supper by an unrecorded maker, The Metropolitan Museum of Art

The Last Supper

Unrecorded maker

second half of the 16th century · Copper alloy, the obverse gilt, the reverse with a reddish brown patina and remnants of solder in the corners.

Cleared · Public Domain

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The MetSimilar
The Last Supper by Morazzone (Pier Francesco Mazzucchelli), The Metropolitan Museum of Art

The Last Supper

Morazzone (Pier Francesco Mazzucchelli) (d. 1626)

ca. 1608 · Pen and brown ink, brush and brown wash, highlighted with white gouache, some black chalk or graphite

Cleared · Public Domain

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The MetSimilar
The Last Supper by Nicolaas van der Horst, The Metropolitan Museum of Art

The Last Supper

Nicolaas van der Horst (d. 1646)

early to mid-17th century · Pen and brown ink, brush and brown washes, over black chalk; incised; rubbed with black chalk for transfer; fragment of sheet with Christ and five apostles behind him cut out, backed, and redrawn by the artist

Cleared · Public Domain

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The MetSimilar
The Last Supper by Philips Koninck, The Metropolitan Museum of Art

The Last Supper

Philips Koninck (d. 1688)

late 1650s · Pen and brown ink, brush and brown wash, over traces of red chalk, heightened with white gouache; framing lines in pen and brown ink. Laid down.

Cleared · Public Domain

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The MetSimilar
The Last Supper by Ciro Ferri, The Metropolitan Museum of Art

The Last Supper

Ciro Ferri (d. 1689)

1634–89 · Brush and brown wash, highlighted with white, over black chalk, on brownish paper

Cleared · Public Domain

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The MetSimilar
The Last Supper by Louis Lafitte, The Metropolitan Museum of Art

The Last Supper

Louis Lafitte (d. 1828)

1790 · Black chalk, heightened with white

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Self-Portrait Looking at The Last Supper

Marisol (d. 2016)

1982–84 · Wood, plywood, stone, plaster, aluminum, dye, charcoal

In copyright

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The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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