
Plaque with the Journey to Emmaus and Noli Me Tangere
Unrecorded maker
ca. 1115–20 · Elephant ivory with traces of gilding
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
346 ms. The Metropolitan Museum of Art, Collection API (Open Access)
333 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 92 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plaque with the Journey to Emmaus and Noli Me Tangere
Unrecorded maker
ca. 1115–20 · Elephant ivory with traces of gilding
Cleared · Public Domain
live
"Shaikh San'an and the Christian Maiden", Folio 22v from a Mantiq al-Tayr (Language of the Birds)
Farid al-Din `Attar (d. 1220)
ca. 1600 · Opaque watercolor, silver, and gold on paper
Cleared · Public Domain
live
The Restoration of the Catholic Religion in Strasbourg
Claude Guy Hallé (d. 1736)
ca. 1681 · Oil on canvas
Cleared · Public Domain
live
View of the cross on the road entering Cintra
Clementine de Brelaz (d. 1892)
1840 · Lithograph on chine collé on a larger support sheet
Cleared · Public Domain
live
Coming from St. Ives Market
Robert Walker Macbeth (d. 1910)
1878 · Etching; proof
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Entrance of St Georges Road or the Obelisk Turnpike, with a View of the Royal Circus (Views of London, No. 2)
Dagaty (d. 1797)
September 1, 1797 · Hand-colored etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Royal Mail, without Opposition
Isaac Robert Cruikshank (d. 1856)
June 3, 1827 · Hand-colored etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Highland Drovers Departure
Sir Edwin Henry Landseer (d. 1873)
June 18, 1841 · Mixed method engraving on chine collé; early state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A By-Road in Tipperary
Sir Francis Seymour Haden (d. 1910)
1860 · Etching and drypoint; second state of two (Harrington); fifth state of six (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Rainy Day, Cookham
Ernest Stamp (d. 1942)
1894 · Etching; proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Royal Road Test
Edward Ruscha (d. 9999)
1967 · Black offset printing
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Royal Road Test
Edward Ruscha (d. 9999)
1967 · Black offset printing
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.