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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    401 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    358 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "Royal Street, New Orleans, La."9 records

Institutions answered newest-first by record, interleaved

Barricades de la Commune, avril 71.  Coin de la place Hotel de Ville & de la rue de Rivoli by Pierre-Ambrose Richebourg, The Metropolitan Museum of Art

Barricades de la Commune, avril 71. Coin de la place Hotel de Ville & de la rue de Rivoli

Pierre-Ambrose Richebourg (d. 1893)

1871 · Albumen silver print

Cleared · Public Domain

live
The MetSimilar
Table clock with calendar by Lucien Falize, The Metropolitan Museum of Art

Table clock with calendar

Lucien Falize (d. 1897)

1881 · Case: silver, partly enameled gold, hardstones, rock crystal, amethysts, and diamonds; movement: brass and steel

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 4

Rudolph Ackermann, London (d. 1832)

July–December 1810 · Illustrations: Hand-colored etching, engraving, stipple, woodcut and textile samples

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Voyage de Sa Majésté Louis-Philippe 1er, Roi des Français au Château de Windsor (Visit of His Majesty Louis Philippe I, King of the French to Windsor Castle)

Edouard Pingret (d. 1875)

1846 · Illustrations: lithographs with tint stones: one on chine collé, one in color

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

Mason Jackson (d. 1903)

1865–70 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Chartres Street, "Vieux Carre", New Orleans, LA.

Unrecorded maker

1900s–1930s · Photomechanical print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Chartres Street, View in the Old French Quarter, New Orleans, La.

Unrecorded maker

1900s–1930s · Photomechanical print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Royal Street, New Orleans, La.

Unrecorded maker

1900s–1930s · Photomechanical print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

St. Charles Street and St. Charles Hotel, New Orleans, LA.

Unrecorded maker

1900s–1930s · Photomechanical print

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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