
Fragmentary marble head of a helmeted soldier
Unrecorded maker
ca. 69–79 CE · Marble
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
275 ms. The Metropolitan Museum of Art, Collection API (Open Access)
579 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 191 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fragmentary marble head of a helmeted soldier
Unrecorded maker
ca. 69–79 CE · Marble
Cleared · Public Domain
live
The Ruins of Castle Merxem, near Antwerp
Jan Brueghel the Elder (d. 1625)
1610 · Pen and brown ink with pink, blue, gray, and yellow washes
Cleared · Public Domain
live
Fragments from ancient monuments, plate 1 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella (d. 1664)
ca. 1646 · Etching; fourth state of nine (Talbierska)
Cleared · Public Domain
live
Imaginary Landscape with the Palatine Hill from Campo Vaccino
François Boucher (d. 1770)
early 1730s · Oil on canvas
Cleared · Public Domain
live
Ruined monument near Rome (Smaller Italian sketchbook, leaf 5 recto)
Joseph Wright (Wright of Derby) (d. 1797)
1774–75 · Brush and gray and yellow ink wash or watercolor, over graphite
Cleared · Public Domain
live
The Palatine Hill, Rome
Camille Corot (d. 1875)
1825–26 · Graphite on tan wove paper
Cleared · Public Domain
live
Torre dei Schiavi, The Roman Campagna (from Cropsey Album)
Jasper Francis Cropsey (d. 1900)
1853 · Graphite, white gouache, and brown and gray ink washes on dark buff wove paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore
Jean Barbault (d. 1762)
1761 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Temple de Minerve Medica prés la Porte Majeure, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View from the Colosseum toward the Palatine
German Painter
1830 · Oil on paper, laid down on cardboard
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
House of the Dioscuri, Pompeii
Firmin-Eugène Le Dien (d. 1865)
1852–53 · Salted paper print from paper negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Head of a girl
Carl Paul Jennewein (d. 1978)
1935 · Porcelain
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.