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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    830 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    574 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 481 matching records exist across the two collections.

Results for "Ruins at Pompeii"12 records

Institutions answered newest-first by record, interleaved

View through the Herculaneum Gate, Pompeii by Giovanni Battista Piranesi, The Metropolitan Museum of Art

View through the Herculaneum Gate, Pompeii

Giovanni Battista Piranesi (d. 1778)

1778 · Pen and brown ink over black chalk

Cleared · Public Domain

live
The MetSimilar
Ruins at Oestergoedland by Pehr Nordqvist, The Metropolitan Museum of Art

Ruins at Oestergoedland

Pehr Nordqvist (d. 1805)

ca. 1800 · Watercolor

Cleared · Public Domain

live
The MetSimilar
The Tepidarium at Pompeii by Robert Wetten, The Metropolitan Museum of Art

The Tepidarium at Pompeii

Robert Wetten (d. 1868)

1829–30 · Watercolor over graphite

Cleared · Public Domain

live
The MetSimilar
Paestum by Jean-Léon Gérôme, The Metropolitan Museum of Art

Paestum

Jean-Léon Gérôme (d. 1904)

1847–51 · Black, red, and white chalk, brush and brown wash, over graphite

Cleared · Public Domain

live
The MetSimilar
Ruins at Pompeii by Gabriel-Auguste Ancelet, The Metropolitan Museum of Art

Ruins at Pompeii

Gabriel-Auguste Ancelet (d. 1895)

1853 · Watercolor over graphite

Cleared · Public Domain

live
The MetSimilar
Pompeii, Pompey’s Lane, Tomb Monument of Mamia by Firmin-Eugène Le Dien, The Metropolitan Museum of Art

Pompeii, Pompey’s Lane, Tomb Monument of Mamia

Firmin-Eugène Le Dien (d. 1865)

ca. 1853 · Salted paper print from a waxed paper negative

Cleared · Public Domain

live
The MetSimilar
View of Pompeii by Anonymous, French, 19th century, The Metropolitan Museum of Art

View of Pompeii

Anonymous, French, 19th century (d. 1900)

19th century · Pen and black and gray ink

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A semi-nude dancer found in the ruins of Pompeii

Girolamo Carattoni (d. 1814)

ca. 1787 · Etching

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Archaeological Plate from Collection for Book Illustrations with a Couple Riding a Chariot Led by Dragons

Anonymous, French, 18th century (d. 1800)

18th century · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Archaeological Plate from Collection for Book Illustrations with a Neoclassical Subject

Anonymous, French, 18th century (d. 1800)

18th century · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Archaeological Plate from Collection for Book Illustrations, Containing a Rural Feast Scene

Anonymous, French, 18th century (d. 1800)

18th century · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Unidentified ruined fresco at Pompeii

Émile-Jacques Gilbert (d. 1874)

1824 · Graphite, gouache

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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