Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    220 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    271 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 25 matching records exist across the two collections.

Results for "Ruins of Stone Bridge - Bull Run"12 records

Institutions answered newest-first by record, interleaved

Valle Crucis Abbey, Denbighshire by Paul Sandby, The Metropolitan Museum of Art

Valle Crucis Abbey, Denbighshire

Paul Sandby (d. 1809)

1770–79 (?) · Reed pen, with gray and black ink and watercolor over graphite

Cleared · Public Domain

live
The MetSimilar
Discoveries in the Ruins of Nineveh and Babylon, with Travels in Armenia, Kurdistan and the Desert by an unrecorded maker, The Metropolitan Museum of Art

Discoveries in the Ruins of Nineveh and Babylon, with Travels in Armenia, Kurdistan and the Desert

Unrecorded maker

1853 · Paper, board, cloth

Cleared · Public Domain

live
The MetSimilar
The Ruins of the Abbey by Frances Flora Bond Palmer, The Metropolitan Museum of Art

The Ruins of the Abbey

Frances Flora Bond Palmer (d. 1876)

1856 · Hand-colored lithograph

Cleared · Public Domain

live
The MetSimilar
Bull Run.  The Stone Bridge by Timothy H. O'Sullivan, The Metropolitan Museum of Art

Bull Run. The Stone Bridge

Timothy H. O'Sullivan (d. 1882)

1861–62 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Ruins of Mrs. Henry's House, Battlefield of Bull Run by George N. Barnard, The Metropolitan Museum of Art

Ruins of Mrs. Henry's House, Battlefield of Bull Run

George N. Barnard (d. 1902)

March 1862 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Ruins of Stone Bridge - Bull Run by Mathew B. Brady, The Metropolitan Museum of Art

Ruins of Stone Bridge - Bull Run

Mathew B. Brady (d. 1896)

1862 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Stone Bridge - Bull Run by Mathew B. Brady, The Metropolitan Museum of Art

Stone Bridge - Bull Run

Mathew B. Brady (d. 1896)

1862 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Part of Construction Corps Building New Military Truss Bridge Across Bull Run by Egbert Guy Fowx, The Metropolitan Museum of Art

Part of Construction Corps Building New Military Truss Bridge Across Bull Run

Egbert Guy Fowx (d. 1889)

April 1863 · Salted paper print from glass negative

Cleared · Public Domain

live
The MetSimilar
[Soldiers in Creek, Below Orange and Alexandria Rail Road Bridge Across Bull Run, Virginia] by Andrew Joseph Russell, The Metropolitan Museum of Art

[Soldiers in Creek, Below Orange and Alexandria Rail Road Bridge Across Bull Run, Virginia]

Andrew Joseph Russell (d. 1902)

1861–65 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Ruins of RR Bridge. Bull Run by Unknown, The Metropolitan Museum of Art

Ruins of RR Bridge. Bull Run

Unknown

ca. 1862 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ruins of a Castle with a Stone and Wooden Draw-Bridge

Jan van de Velde II (d. 1641)

1616 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Landscape and Ruins

Frances Flora Bond Palmer (d. 1876)

1857–71 · Hand-colored lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.