
Classical Ruins
Wenceslaus Hollar (d. 1677)
1673 · Etching; second state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
230 ms. The Metropolitan Museum of Art, Collection API (Open Access)
316 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,217 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Classical Ruins
Wenceslaus Hollar (d. 1677)
1673 · Etching; second state of two
Cleared · Public Domain
live
Roman Ruins, from "Roman Ruins"
Wenceslaus Hollar (d. 1677)
1673 · Etching; first state of three
Cleared · Public Domain
live
Ruins and a barred gate on the Esquiline Hill in Rome, from "Roman Ruins"
Wenceslaus Hollar (d. 1677)
1673 · Etching, first state of three, graphite and red pencil additions, not by Hollar
Cleared · Public Domain
live
Ruins and a barred gate on the Esquiline Hill in Rome, from "Roman Ruins"
Wenceslaus Hollar (d. 1677)
1673 · Etching; first state of three
Cleared · Public Domain
live
Ruins of a round building, from "Roman Ruins"
Wenceslaus Hollar (d. 1677)
1673 · Etching; first state of three
Cleared · Public Domain
live
Ruins of a Round Building, from "Roman Ruins"
Wenceslaus Hollar (d. 1677)
1673 · Etching, first state of three
Cleared · Public Domain
live
A Colonnade in Ruins
Hubert Robert (d. 1808)
1808 · Oil on canvas
Cleared · Public Domain
live![[Model of a P.L.M. Locomotive] by Dominique Roman, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP214801.jpg)
[Model of a P.L.M. Locomotive]
Dominique Roman (d. 1911)
ca. 1855 · Paper negative
Cleared · Public Domain
live
Ruins of a Locomotive in the Petersburgh Railroad Depot, Richmond, Virginia
Unknown
April 1865 · Albumen silver print from glass negative
Cleared · Public Domain
live
Ruins of the Tuileries Palace
Isidore Pils (d. 1875)
1871 · Gouache, watercolor, and graphite on light brown paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ruins
James Hamilton (d. 1878)
before 1864 · Watercolor and gouache on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Locomotive
Roger Parry (d. 1977)
1929 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.