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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    551 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    404 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 11 matching records exist across the two collections.

Results for "Ruins of the Chateau of Crèmieux (Isère)"11 records

Institutions answered newest-first by record, interleaved

The Reign of Jupiter by an unrecorded maker, The Metropolitan Museum of Art

The Reign of Jupiter

Unrecorded maker

ca. 1550–70 · Marble

Cleared · Public Domain

live
The MetSimilar
Design for the Temple of Apollo in the Gardens of the Château d'Enghien, Belgium by Charles de Wailly, The Metropolitan Museum of Art

Design for the Temple of Apollo in the Gardens of the Château d'Enghien, Belgium

Charles de Wailly (d. 1798)

1780 · Pen and ink, partially over charcoal, watercolor

Cleared · Public Domain

live
The MetSimilar
Ruins of the Château of Becoiseau, near Mortcerf (seine-et-Marne) by Johann Georg Wille, The Metropolitan Museum of Art

Ruins of the Château of Becoiseau, near Mortcerf (seine-et-Marne)

Johann Georg Wille (d. 1808)

1784 · Brown chalk and brush and-brown wash. Framing lines in pen and brown ink.

Cleared · Public Domain

live
The MetSimilar
General View of Castle Ruins and of The Village of Saint-Necataire by Eugène Isabey, The Metropolitan Museum of Art

General View of Castle Ruins and of The Village of Saint-Necataire

Eugène Isabey (d. 1886)

probably 1831 · Lithograph in black on light gray chine collé laid down on ivory wove paper; second state of two

Cleared · Public Domain

live
The MetSimilar
The Bouzols Castle Ruins Near Puy en Delay by Eugène Isabey, The Metropolitan Museum of Art

The Bouzols Castle Ruins Near Puy en Delay

Eugène Isabey (d. 1886)

1831 · Lithograph in black on light gray chine collé laid down on ivory wove paper; second state of two

Cleared · Public Domain

live
The MetSimilar
The Bouzols Castle Ruins Near Puy en Delay by Eugène Isabey, The Metropolitan Museum of Art

The Bouzols Castle Ruins Near Puy en Delay

Eugène Isabey (d. 1886)

1831 · Lithograph in black on light gray chine collé laid down on ivory wove paper; first state of two, before lettering

Cleared · Public Domain

live
The MetSimilar
[Landscape] by Marie-Charles-Isidore Choiselat, The Metropolitan Museum of Art

[Landscape]

Marie-Charles-Isidore Choiselat (d. 1858)

1844 · Daguerreotype

Cleared · Public Domain

live
The MetSimilar
Ruins of the Chateau of Crèmieux (Isère) by Charles-François Daubigny, The Metropolitan Museum of Art

Ruins of the Chateau of Crèmieux (Isère)

Charles-François Daubigny (d. 1878)

1850 · Etching and aquatint on chine collé; second state of two (Delteil)

Cleared · Public Domain

live
The MetSimilar
Ruines du Château de Pierrefonds (Ruins of the Château de Pierrefonds) by Charles Meryon, The Metropolitan Museum of Art

Ruines du Château de Pierrefonds (Ruins of the Château de Pierrefonds)

Charles Meryon (d. 1868)

1858 · Etching with drypoint; first state of three

Cleared · Public Domain

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The MetSimilar
Thèbes, Temple de Ramasseum, Colosses brisés by Emile Béchard, The Metropolitan Museum of Art

Thèbes, Temple de Ramasseum, Colosses brisés

Emile Béchard (d. 1899)

1870s · Albumen silver print

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Kidwelly Castle (Le Château de Kidwelly)

Sir Francis Seymour Haden (d. 1910)

1859 · Etching and drypoint; first state of two (Harrington); fourth state of six (Schneiderman)

In copyright

live
The MetSimilar

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