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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    540 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    340 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 3,843 matching records exist across the two collections.

Results for "Ruins of the Temple of the Sybil in Tivo"12 records

Institutions answered newest-first by record, interleaved

Temple of the Tiburtine Sybil, from "Roman Ruins" by Wenceslaus Hollar, The Metropolitan Museum of Art

Temple of the Tiburtine Sybil, from "Roman Ruins"

Wenceslaus Hollar (d. 1677)

1650 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Temple of the Tiburtine Sybil

Wenceslaus Hollar (d. 1677)

1650 · Etching; second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vüe du Temple de la Sibylle à Tivoli, plate 1 from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"

Dominico Montagu

1770 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Gale

Sybil Andrews (d. 1992)

1930 · Color linocut on Japanese paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Winch

Sybil Andrews (d. 1992)

1930 · Color linocut on Japanese paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The New Cable

Sybil Andrews (d. 1992)

1931 · Color linocut on Japanese paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bringing in the Boat

Sybil Andrews (d. 1992)

1933 · Color linocut on Japanese paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bringing in the Boat

Sybil Andrews (d. 1992)

1933 · Color linocut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Windmill

Sybil Andrews (d. 1992)

1933 · Color linocut on Japanese paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fall of the Leaf

Sybil Andrews (d. 1992)

1934 · Color linocut on Japanese paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tillers of the Soil

Sybil Andrews (d. 1992)

1934 · Color linocut on Japanese paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studies for "Steeplechasing" and "Whence & Whither?"

Sybil Andrews (d. 1992)

ca. 1930 · Ink and pastel on tracing paper

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.