
Temple of the Tiburtine Sybil, from "Roman Ruins"
Wenceslaus Hollar (d. 1677)
1650 · Etching; second state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
540 ms. The Metropolitan Museum of Art, Collection API (Open Access)
340 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,843 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Temple of the Tiburtine Sybil, from "Roman Ruins"
Wenceslaus Hollar (d. 1677)
1650 · Etching; second state of two
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Temple of the Tiburtine Sybil
Wenceslaus Hollar (d. 1677)
1650 · Etching; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vüe du Temple de la Sibylle à Tivoli, plate 1 from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Dominico Montagu
1770 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Gale
Sybil Andrews (d. 1992)
1930 · Color linocut on Japanese paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Winch
Sybil Andrews (d. 1992)
1930 · Color linocut on Japanese paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The New Cable
Sybil Andrews (d. 1992)
1931 · Color linocut on Japanese paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bringing in the Boat
Sybil Andrews (d. 1992)
1933 · Color linocut on Japanese paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bringing in the Boat
Sybil Andrews (d. 1992)
1933 · Color linocut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Windmill
Sybil Andrews (d. 1992)
1933 · Color linocut on Japanese paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fall of the Leaf
Sybil Andrews (d. 1992)
1934 · Color linocut on Japanese paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tillers of the Soil
Sybil Andrews (d. 1992)
1934 · Color linocut on Japanese paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Studies for "Steeplechasing" and "Whence & Whither?"
Sybil Andrews (d. 1992)
ca. 1930 · Ink and pastel on tracing paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.