
Ceramic imitation of bronze roller with two kilted figures
Unrecorded maker
ca. 2100–1750 BCE · Ceramic
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
234 ms. The Metropolitan Museum of Art, Collection API (Open Access)
445 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 729 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Ceramic imitation of bronze roller with two kilted figures
Unrecorded maker
ca. 2100–1750 BCE · Ceramic
Cleared · Public Domain
live
Figures in an Outdoor Tavern
Jan Asselijn (d. 1652)
1635–52 · Black chalk, brush and brownis-gray wash, heightened with white; framing lines in brown ink, on blue paper
Cleared · Public Domain
live
Three Figures by a Rustic Dwelling
Remigio Cantagallina (d. 1656)
1582–1656 · Pen and brown ink, over traces of black chalk
Cleared · Public Domain
live
Seven peasant figures in a rustic interior, some of whom play instrument
Jacques Dassonville (d. 1675)
ca. 1640–70 · Etching
Cleared · Public Domain
live
Imitation Blue-and-White Bowl
Unrecorded maker
17th century · Stonepaste; painted in blue under transparent glaze
Cleared · Public Domain
live
Hilly Landscape with Three Figures
Aureliano Milani (d. 1749)
1675–1749 · Red chalk
Cleared · Public Domain
live
Figures in a Roman Arcade
Hubert Robert (d. 1808)
1763 · Red chalk; framing lines in pen and brown ink
Cleared · Public Domain
live
Figures in a Colonnade
Hubert Robert (d. 1808)
ca. 1780 · Pen and black ink, brush and gray and blue wash, heightened with white, over black chalk
Cleared · Public Domain
live
Group of rustic figures
Unrecorded maker
18th century · Polychromed wood, gesso and stiffened cloth
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Kneeling female saint mediating on the instruments of Christ's passion, figures in red chalk on verso
Anonymous, Italian, 17th century (d. 1700)
ca 1650–1700 · Engraving (recto), red chalk (verso)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rustic Figures in Imitation of Chalk
William Henry Pyne (d. 1843)
1817 · Illustrations: chalk manner etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rustic Adornments for Homes of Taste, and Recreations for Town Folk, in the Study and Imitation of Nature [first edition]
Shirley Hibberd (d. 1890)
1856 · Illustrations: wood engraving, hand-colored wood engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.