Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1852 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    350 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 461 matching records exist across the two collections.

Results for "Rustic Scene – A Woman Washing Clothes i"12 records

Institutions answered newest-first by record, interleaved

Knickknack peddler by Unidentified artist, The Metropolitan Museum of Art

Knickknack peddler

Unidentified artist

13th–15th century · Fan mounted as an album leaf; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
The Peasant Wedding Dance by Pieter van der Heyden, The Metropolitan Museum of Art

The Peasant Wedding Dance

Pieter van der Heyden (d. 1569)

after 1570 · Engraving; first state of three

Cleared · Public Domain

live
The MetSimilar
Rustic Scene – A Woman Washing Clothes in a Stream by Anonymous, French, 18th century, The Metropolitan Museum of Art

Rustic Scene – A Woman Washing Clothes in a Stream

Anonymous, French, 18th century (d. 1800)

18th century · Gouache

Cleared · Public Domain

live
The MetSimilar
The Sagacious Buck or Effects of Water Proof by Thomas Rowlandson, The Metropolitan Museum of Art

The Sagacious Buck or Effects of Water Proof

Thomas Rowlandson (d. 1827)

1811? · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Nap Dreading His Doleful Doom or His Grand Entry in the Isle of Elba by Thomas Rowlandson, The Metropolitan Museum of Art

Nap Dreading His Doleful Doom or His Grand Entry in the Isle of Elba

Thomas Rowlandson (d. 1827)

April 20, 1814 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
The Four Seasons of Love by Thomas Rowlandson, The Metropolitan Museum of Art

The Four Seasons of Love

Thomas Rowlandson (d. 1827)

September 15, 1814 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
The Naumacia to Commemorate a Peace by Thomas Rowlandson, The Metropolitan Museum of Art

The Naumacia to Commemorate a Peace

Thomas Rowlandson (d. 1827)

July 23, 1814 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
A Street in Grasse by Charles Nègre, The Metropolitan Museum of Art

A Street in Grasse

Charles Nègre (d. 1880)

1852 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Castle Ditch

Sir Francis Seymour Haden (d. 1910)

October 7, 1877 · Drypoint; trial proof a (Harrington); first state of two (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Windhill Hill, No. 3

Sir Francis Seymour Haden (d. 1910)

1877 · Drypoint; first (final) state (Harrington); fourth state of five (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Windmill Hill, No. 1

Sir Francis Seymour Haden (d. 1910)

1877 · Drypoint; first state of two (Harrington); fourth state of five (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Line Shot -- The Recoil

Thomas B. Worth (d. 1917)

1881 · Hand-colored lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.