
Lime container in the shape of a captive
Wari artist(s)
650–1000 CE · Wood, animal bone, paint, fiber
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
189 ms. The Metropolitan Museum of Art, Collection API (Open Access)
287 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 113 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Lime container in the shape of a captive
Wari artist(s)
650–1000 CE · Wood, animal bone, paint, fiber
Cleared · Public Domain
live
Kero (beaker)
Inca artist(s)
1400–1535 CE · Wood
Cleared · Public Domain
live
S. P. Avery, Engraver on Wood
Samuel Putnam Avery Sr. (d. 1904)
1800s · Scrapbook
Cleared · Public Domain
live
Gilpins Mills / on the Brandywine Creek
Enoch Wood & Sons (d. 1846)
ca. 1820–ca. 1846 · Earthenware, transfer-printed
Cleared · Public Domain
live
TRANSYLVANIA/ UNIVERSITY/ LEXINGTON/ E.W.&S./ CELTIC CHINA
Enoch Wood & Sons (d. 1846)
ca. 1828–ca. 1846 · Earthenware, transfer-printed
Cleared · Public Domain
live
Samuel P. Avery (1822–1904)
Raimundo de Madrazo y Garreta (d. 1920)
1876 · Oil on wood
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Book of British Ballads, Vol. 1
Samuel Carter Hall (d. 1889)
1847 · Illustrations: wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sartain's Union Magazine of Literature and Art, vols. 4-5
John Sartain (d. 1897)
January–December 1849 · Illustrations: steel engravings, mezzotints, wood engravings, lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Parables from Nature with Notes on the Natural History
Margaret Gatty (d. 1873)
1865 · Illustrations: wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Trade card for S. N. Dodge's Paint Store, 189 Chatham Street, New York
Samuel Putnam Avery Sr. (d. 1904)
1850–66 · Wood engraving, proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Art of the American Wood-Engraver. Forty India Proofs to Accompany the Text of P. G. Hamerton
Philip Gilbert Hamerton (d. 1894)
1894 · Wood engraving on chine collé
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.