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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    189 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    287 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 113 matching records exist across the two collections.

Results for "S. P. Avery, Engraver on Wood"11 records

Institutions answered newest-first by record, interleaved

Lime container in the shape of a captive by Wari artist(s), The Metropolitan Museum of Art

Lime container in the shape of a captive

Wari artist(s)

650–1000 CE · Wood, animal bone, paint, fiber

Cleared · Public Domain

live
The MetSimilar
Kero (beaker) by Inca artist(s), The Metropolitan Museum of Art

Kero (beaker)

Inca artist(s)

1400–1535 CE · Wood

Cleared · Public Domain

live
The MetSimilar
S. P. Avery, Engraver on Wood by Samuel Putnam Avery Sr., The Metropolitan Museum of Art

S. P. Avery, Engraver on Wood

Samuel Putnam Avery Sr. (d. 1904)

1800s · Scrapbook

Cleared · Public Domain

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The MetSimilar
Gilpins Mills / on the Brandywine Creek by Enoch Wood & Sons, The Metropolitan Museum of Art

Gilpins Mills / on the Brandywine Creek

Enoch Wood & Sons (d. 1846)

ca. 1820–ca. 1846 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar
TRANSYLVANIA/ UNIVERSITY/ LEXINGTON/ E.W.&S./ CELTIC CHINA by Enoch Wood & Sons, The Metropolitan Museum of Art

TRANSYLVANIA/ UNIVERSITY/ LEXINGTON/ E.W.&S./ CELTIC CHINA

Enoch Wood & Sons (d. 1846)

ca. 1828–ca. 1846 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar
Samuel P. Avery (1822–1904) by Raimundo de Madrazo y Garreta, The Metropolitan Museum of Art

Samuel P. Avery (1822–1904)

Raimundo de Madrazo y Garreta (d. 1920)

1876 · Oil on wood

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Book of British Ballads, Vol. 1

Samuel Carter Hall (d. 1889)

1847 · Illustrations: wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sartain's Union Magazine of Literature and Art, vols. 4-5

John Sartain (d. 1897)

January–December 1849 · Illustrations: steel engravings, mezzotints, wood engravings, lithographs

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Parables from Nature with Notes on the Natural History

Margaret Gatty (d. 1873)

1865 · Illustrations: wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Trade card for S. N. Dodge's Paint Store, 189 Chatham Street, New York

Samuel Putnam Avery Sr. (d. 1904)

1850–66 · Wood engraving, proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Art of the American Wood-Engraver. Forty India Proofs to Accompany the Text of P. G. Hamerton

Philip Gilbert Hamerton (d. 1894)

1894 · Wood engraving on chine collé

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.