Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    705 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    499 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 19 matching records exist across the two collections.

Results for "Sa Amulet"12 records

Institutions answered newest-first by record, interleaved

Sa Amulet by an unrecorded maker, The Metropolitan Museum of Art

Sa Amulet

Unrecorded maker

ca. 2051–1981 B.C. · Silver, electrum

Cleared · Public Domain

live
The MetSimilar
Jewelry Box by an unrecorded maker, The Metropolitan Museum of Art

Jewelry Box

Unrecorded maker

ca. 2051–1981 B.C. · Wood

Cleared · Public Domain

live
The MetSimilar
Sweret Bead by an unrecorded maker, The Metropolitan Museum of Art

Sweret Bead

Unrecorded maker

ca. 2051–1981 B.C. · Carnelian

Cleared · Public Domain

live
The MetSimilar
Frog Seal Amulet with a Sa Hieroglyph on the Base by an unrecorded maker, The Metropolitan Museum of Art

Frog Seal Amulet with a Sa Hieroglyph on the Base

Unrecorded maker

ca. 1386–1347 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Frog Seal Amulet with a Sa Hieroglyph on the Base by an unrecorded maker, The Metropolitan Museum of Art

Frog Seal Amulet with a Sa Hieroglyph on the Base

Unrecorded maker

ca. 1386–1347 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Sa Amulet by an unrecorded maker, The Metropolitan Museum of Art

Sa Amulet

Unrecorded maker

ca. 1386–1347 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Bes-Image Amulet by an unrecorded maker, The Metropolitan Museum of Art

Bes-Image Amulet

Unrecorded maker

ca. 1080–721 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Taweret Amulet by an unrecorded maker, The Metropolitan Museum of Art

Taweret Amulet

Unrecorded maker

664–332 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Bowl with floral and geometric designs by an unrecorded maker, The Metropolitan Museum of Art

Bowl with floral and geometric designs

Unrecorded maker

1st–3rd century · Pottery, paint

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sa-sign amulet

Unrecorded maker

ca. 2030–1640 B.C. · Silver-gold alloy

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sa sign amulet

Unrecorded maker

ca. 1981–1550 B.C. · Gold

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sa-sign amulet

Unrecorded maker

ca. 1981–1550 B.C. · Gold

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.