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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    255 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    290 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 70 matching records exist across the two collections.

Results for "Sac à papier!, from Impressions de Ménag"12 records

Institutions answered newest-first by record, interleaved

Chief Etchers and Best Italian (Wilton House Album) by an unrecorded maker, The Metropolitan Museum of Art

Chief Etchers and Best Italian (Wilton House Album)

Unrecorded maker

early 18th century binding

Cleared · Public Domain

live
The MetSimilar
Entrance to the Grotto of Posillipo by Hubert Robert, The Metropolitan Museum of Art

Entrance to the Grotto of Posillipo

Hubert Robert (d. 1808)

n.d. · Brush and brown wash, over a red chalk counterproof with traces of black chalk; framing lines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
The Declaration of Independence of the United States of America, July 4, 1776 by Asher Brown Durand, The Metropolitan Museum of Art

The Declaration of Independence of the United States of America, July 4, 1776

Asher Brown Durand (d. 1886)

1823 · Engraving; sixth state of six

Cleared · Public Domain

live
The MetSimilar
[Windmills, Montmartre] by Hippolyte Bayard, The Metropolitan Museum of Art

[Windmills, Montmartre]

Hippolyte Bayard (d. 1887)

1839 · Salted paper print

Cleared · Public Domain

live
The MetSimilar
[Standing Female Nude] by Unknown, The Metropolitan Museum of Art

[Standing Female Nude]

Unknown

ca. 1856 · Salted paper print from collodion glass negative

Cleared · Public Domain

live
The MetSimilar
[Standing Male Nude] by Unknown, The Metropolitan Museum of Art

[Standing Male Nude]

Unknown

ca. 1856 · Salted paper print from collodion glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sac à papier!, from Impressions de Ménage, published in Le Charivari, August 29, 1843

Paul Gavarni [Chevalier] (d. 1866)

August 29, 1843 · Lithograph; third state of three (Armelhault & Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Junkernboden

Ernst Ludwig Kirchner (d. 1938)

1919 · Color woodcut, working proofs recto and verso; recto: black ink with traces of yellow and green ink and wax crayon; verso: black, pink, dark red, and two shades of green ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Self-Portrait

Alejandro Mario Yllanes (d. 1960)

1941 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pueblo Aymara (village in the high Andes, Bolivia)

Alejandro Mario Yllanes (d. 1960)

ca. 1940 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study for Vision: a woman holding a portrait, a funeral taking place in the background

Alejandro Mario Yllanes (d. 1960)

ca. 1944 · Graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tom Tit Tot; and A Sketch of the Whole Complicated Subject of Universal History

R. H. Quaytman (d. 9999)

2014 · Artist's book (text by Howe with four bound prints and book design by Quatyman) and accompanying print (digital print with letterpress)

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.