Yoke-form vessel
Maya artist(s)
350–450 CE · Ceramic, red pigment (possibly cinnabar)
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
268 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
316 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 52 matching records exist across the two collections.
Results for "Sacrifice on the Campus Martius, from "S"12 records
Institutions answered newest-first by record, interleaved
Decapitator plaque
Moche artist(s)
500–800 CE · Silvered copper, shell
Cleared · Public Domain
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Shield
Moche artist(s)
500–800 CE · Silvered copper
Cleared · Public Domain
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Vulture vessel
Itzocan artist(s)
1200–1521 CE · Ceramic
Cleared · Public Domain
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Hand with beaker
Inca artist(s)
1400–1535 CE · Ceramic, slip
Cleared · Public Domain
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Tumi (knife) with a talon
Inca artist(s)
1400–1535 CE · Tin bronze
Cleared · Public Domain
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Sacrifice on the Campus Martius, from "Speculum Romanae Magnificentiae"
Anonymous
1553 · Engraving
Cleared · Public Domain
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Sacrifice on the Campus Martius, from "Speculum Romanae Magnificentiae"
Anonymous
16th century · Engraving
Cleared · Public Domain
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Sacrifice on the Campus Martius, from "Speculum Romanae Magnificentiae"
Anonymous
16th century · Engraving
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ornamental capital "L", Osservazioni sulla determinazione de' limiti del Campo Marizio... (Observations on determining the boundaries of the Campus Martius), tome 1 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
1756–57 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Elevation of the stern of the stone ship, which is seen on the Tiber Island, plate 12 (a) from "Il Campo Marzio dell' Antica Roma, Opera di G.B. Piranesi socio della reale società degli antiquari di Londra" (The Campus Martius of Ancient Rome, the Work of G.B. Piranesi, Fellow of the Royal Society of Antiquaries, London)
Giovanni Battista Piranesi (d. 1778)
1762 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plan of the stone ship with its stern which is seen on the Tiber Island..., plate 13 from "Il Campo Marzio dell' Antica Roma, Opera di G.B. Piranesi socio della reale società degli antiquari di Londra" (The Campus Martius of Ancient Rome, the Work of G.B. Piranesi, Fellow of the Royal Society of Antiquaries, London)
Giovanni Battista Piranesi (d. 1778)
1762 · Etching
In copyright
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