
Totila before Saint Benedict
Benozzo Gozzoli (Benozzo di Lese di Sandro) (d. 1497)
1497 · Tempera on wood
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
244 ms. The Metropolitan Museum of Art, Collection API (Open Access)
318 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 253 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Totila before Saint Benedict
Benozzo Gozzoli (Benozzo di Lese di Sandro) (d. 1497)
1497 · Tempera on wood
Cleared · Public Domain
live
Manuscript Leaf with Saint Benedict Resuscitating a Boy in an Initial D, from an Antiphonary
Master of the Riccardiana Lactantius
second half 15th century · Tempera, ink, and gold on parchment
Cleared · Public Domain
live
Saint Benedict at the School in Rome
Andrea Lilli (Lilio) (d. 1640)
ca. 1630–35 · Red chalk, brush and red wash, squared in red chalk
Cleared · Public Domain
live
Saint Benedict
Francisco de Zurbarán (d. 1664)
ca. 1640–45 · Oil on canvas
Cleared · Public Domain
live
The Death of Saint Francis Xavier
Ciro Ferri (d. 1689)
1674–79 · Black chalk
Cleared · Public Domain
live
Saint Agnes
Gian Lorenzo Bernini (d. 1680)
early 18th century · Bronze
Cleared · Public Domain
live
The Vision of Saint Benedict
Francesco de Mura (d. 1782)
1740 · Pen and brown and gray ink, brush and gray wash, over graphite
Cleared · Public Domain
live
Saint Benedict Orders the Destruction of Idols at Montecassino
Gaspare Serenario (d. 1759)
1694–1759 · Pen and brown ink, brush and brown wash, highlighted with yellow and white gouache, over black chalk or leadpoint, on beige paper
Cleared · Public Domain
live
The Martyrdom of Saint Hippolytus
Simon Julien (d. 1800)
18th century · Pen and brown ink, brush and brown and gray wash, over red chalk
Cleared · Public Domain
live
Pope Gregory XVI Visiting the Church of San Benedetto at Subiaco
Jean-François Montessuy (d. 1876)
1843 · Oil on canvas
Cleared · Public Domain
live
William Maxwell Evarts
Augustus Saint-Gaudens (d. 1907)
1872–73; carved 1874 · Marble
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Triumph of Pompey
Gabriel de Saint-Aubin (d. 1780)
1765 · Watercolor and gouache, pen and black ink, graphite, over black chalk
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.