Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    872 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    312 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 36 matching records exist across the two collections.

Results for "Saint Bruno and his companions in the wi"12 records

Institutions answered newest-first by record, interleaved

The Conversion of St. Paul by Lucas van Leyden, The Metropolitan Museum of Art

The Conversion of St. Paul

Lucas van Leyden (d. 1533)

1509 · Engraving

Cleared · Public Domain

live
The MetSimilar
Reliquary bust of a companion of Saint Ursula by an unrecorded maker, The Metropolitan Museum of Art

Reliquary bust of a companion of Saint Ursula

Unrecorded maker

ca. 1520–30 · Oak, polychromed and gilt on plaster ground; glass opening for relic

Cleared · Public Domain

live
The MetSimilar
Christ and the Two Thieves Crucified by Michelangelo Buonarroti, The Metropolitan Museum of Art

Christ and the Two Thieves Crucified

Michelangelo Buonarroti (d. 1564)

ca. 1560–70 · Bronze

Cleared · Public Domain

live
The MetSimilar
Parade Shield Depicting the Conversion of Saint Paul by an unrecorded maker, The Metropolitan Museum of Art

Parade Shield Depicting the Conversion of Saint Paul

Unrecorded maker

ca. 1570 · Steel, gold, silver

Cleared · Public Domain

live
The MetSimilar
Saint John by Antonio Susini, The Metropolitan Museum of Art

Saint John

Antonio Susini (d. 1624)

1596 · Bronze

Cleared · Public Domain

live
The MetSimilar
Saint Matthew by Antonio Susini, The Metropolitan Museum of Art

Saint Matthew

Antonio Susini (d. 1624)

1596 · Bronze

Cleared · Public Domain

live
The MetSimilar
Seated Male Figure with the Head of an Onlooker (recto); Standing Male Figure in a Monk's Habit (verso) by Bernardino Poccetti, The Metropolitan Museum of Art

Seated Male Figure with the Head of an Onlooker (recto); Standing Male Figure in a Monk's Habit (verso)

Bernardino Poccetti (d. 1612)

1548–1612 · Charcoal with traces of white chalk highlights

Cleared · Public Domain

live
The MetSimilar
Reliquary bust of a bishop-saint by an unrecorded maker, The Metropolitan Museum of Art

Reliquary bust of a bishop-saint

Unrecorded maker

early 17th century · Bronze, fire-gilt; glass

Cleared · Public Domain

live
The MetSimilar
Raymond Diocrès Speaking During His Funeral (from the Life of Saint Bruno of Cologne) by Daniele Crespi, The Metropolitan Museum of Art

Raymond Diocrès Speaking During His Funeral (from the Life of Saint Bruno of Cologne)

Daniele Crespi (d. 1630)

1628–29 · Pen and dark brown ink, brush and brown wash, highlighted with white gouache, over soft black chalk or leadpoint

Cleared · Public Domain

live
The MetSimilar
Medici vase with a scene of the park at Saint-Cloud (one of a pair) by Sèvres Manufactory, The Metropolitan Museum of Art

Medici vase with a scene of the park at Saint-Cloud (one of a pair)

Sèvres Manufactory (d. 9999)

1811 · Hard-paste porcelain decorated in polychrome enamels, gold, gilt bronze

Cleared · Public Domain

live
The MetSimilar
Alexandre Dumas fils by Jean-Baptiste Carpeaux, The Metropolitan Museum of Art

Alexandre Dumas fils

Jean-Baptiste Carpeaux (d. 1875)

modeled in 1873, cast before 1875, probably in 1873 · Cast terracotta

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Saint Bruno and his companions in the wilderness

Francesco Villamena (d. 1624)

1620 · Engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.