
Saint Jerome in Penitence
Unrecorded maker
c. 1480–1500 · Print, engraving
Cleared · CC0
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
The Metropolitan Museum of Art did not answer: met answered HTTP 403
305 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 5 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Saint Jerome in Penitence
Unrecorded maker
c. 1480–1500 · Print, engraving
Cleared · CC0
live
St. Jerome in Penitence
Albrecht Dürer (d. 1528)
c. 1497 · Print, engraving
Cleared · CC0
live
Landscape with Saint Jerome and Two Lions
Domenico Campagnola (d. 1564)
c. 1530–35 · Print, woodcut
Cleared · CC0
live
Saint Jerome and Saint Catherine of Alexandria Standing in a Landscape
Girolamo da Treviso the Younger (d. 1544)
c. 1530 · Drawing, pen and ink, gray wash, and white heightening over black chalk on prepared buff colored paper
Cleared · CC0
live
Fol. 341r, Daniel, historiated initial A, Daniel in the lions’ den
Unrecorded maker
c. 1275–1300 · Bound Volume, ink, tempera and gold on vellum
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.