Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    416 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    453 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 300 matching records exist across the two collections.

Results for "Saint John the Evangelist; head and shou"12 records

Institutions answered newest-first by record, interleaved

Medallion with Saint John the Evangelist from an Icon Frame by an unrecorded maker, The Metropolitan Museum of Art

Medallion with Saint John the Evangelist from an Icon Frame

Unrecorded maker

ca. 1100 · Gold, silver, and enamel worked in cloisonné

Cleared · Public Domain

live
The MetSimilar
Saint John the Evangelist with Acteus and Eugenius by Francescuccio Ghissi (Francesco di Cecco Ghissi), The Metropolitan Museum of Art

Saint John the Evangelist with Acteus and Eugenius

Francescuccio Ghissi (Francesco di Cecco Ghissi) (d. 1374)

ca. 1370 · Tempera on wood, gold ground

Cleared · Public Domain

live
The MetSimilar
Saint John the Evangelist by Upper Rhine (Switzerland), The Metropolitan Museum of Art

Saint John the Evangelist

Upper Rhine (Switzerland)

ca. 1480 · Pen and blackish brown ink and gray wash over a black chalk underdrawing (still partially visible in the foliate forms of the throne at the upper right), the thin, pale lines of the preliminary ink drawing clearly distinguishable from the thicker, darker ones on top of them, which have dense, felt-like accumulations of tiny strokes in some of the shadows, but are by the same hand; traces of a curved line in black chalk and partly in brush and gray ink in the lower corners and at the upper right.

Cleared · Public Domain

live
The MetSimilar
The Virgin and Saint John the Evangelist by Bartolomeo di Giovanni, The Metropolitan Museum of Art

The Virgin and Saint John the Evangelist

Bartolomeo di Giovanni (d. 1501)

ca. 1485–90 · Pen and light and dark brown ink, brush and brown wash, heightened with white, over black chalk underdrawing.

Cleared · Public Domain

live
The MetSimilar
Saint John the Baptist and Saint John the Evangelist by Master with the Cologne Arms, The Metropolitan Museum of Art

Saint John the Baptist and Saint John the Evangelist

Master with the Cologne Arms (d. 1500)

15th century · Metalcut; first state before the large decorative border

Cleared · Public Domain

live
The MetSimilar
Madonna and Child with Saint John the Evangelist by Rosso Fiorentino, The Metropolitan Museum of Art

Madonna and Child with Saint John the Evangelist

Rosso Fiorentino (d. 1540)

1512/13 · Oil on canvas, laid down on wood

Cleared · Public Domain

live
The MetSimilar
Saint John the Evangelist by Jean III Pénicaud, The Metropolitan Museum of Art

Saint John the Evangelist

Jean III Pénicaud (d. 1570)

ca. 1550 · Enamel on copper

Cleared · Public Domain

live
The MetSimilar
Saint John the Evangelist by Andrea Schiavone (Andrea Meldola), The Metropolitan Museum of Art

Saint John the Evangelist

Andrea Schiavone (Andrea Meldola) (d. 1563)

1563 · Etching in yellowy green ink, with white gouache and yellow wash

Cleared · Public Domain

live
The MetSimilar
Saint John the Evangelist by Giovanni de' Vecchi, The Metropolitan Museum of Art

Saint John the Evangelist

Giovanni de' Vecchi (d. 1615)

1598–99 · Pen and dark brown ink, extensively highlighted with white, over black chalk, on beige paper; squared in black chalk

Cleared · Public Domain

live
The MetSimilar
Saint John the Evangelist by an unrecorded maker, The Metropolitan Museum of Art

Saint John the Evangelist

Unrecorded maker

17th century · Boxwood

Cleared · Public Domain

live
The MetSimilar
St. John the Evangelist by John Flaxman, The Metropolitan Museum of Art

St. John the Evangelist

John Flaxman (d. 1826)

ca. 1811 · Brush and brown wash over graphite

Cleared · Public Domain

live
The MetSimilar
Head of Saint John the Evangelist by Jean Auguste Dominique Ingres, The Metropolitan Museum of Art

Head of Saint John the Evangelist

Jean Auguste Dominique Ingres (d. 1867)

probably ca. 1818–20 · Oil on canvas, laid down on wood

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.