
The Hours of Jeanne d'Evreux, Queen of France
Jean Pucelle (d. 1334)
ca. 1324–28 · Grisaille, tempera, and ink on vellum
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
515 ms. The Metropolitan Museum of Art, Collection API (Open Access)
306 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 48 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Hours of Jeanne d'Evreux, Queen of France
Jean Pucelle (d. 1334)
ca. 1324–28 · Grisaille, tempera, and ink on vellum
Cleared · Public Domain
live
Ascension in an Initial V
Niccolò di ser Sozzo (d. 1363)
ca. 1342–50 · Tempera and gold on parchment
Cleared · Public Domain
live
The Last Supper
Bernard van Orley (d. 1542)
ca. 1525–28 · Wool, silk, silver-gilt thread.
Cleared · Public Domain
live
Judas kissing Christ surrounded by soldiers; St Peter attacking Malchus in foreground, from "The Passion of Christ", after Dürer
Marcantonio Raimondi (d. 1534)
ca. 1500–34 · Engraving; third state of three
Cleared · Public Domain
live
Holy Family with the Infant Saint John the Baptist
Hans Krumpper (d. 1643)
n.d. · Pen and brown ink
Cleared · Public Domain
live
Christ bearing the cross
Ferdinando Tacca (d. 1686)
mid-17th century · Bronze
Cleared · Public Domain
live
Bust of a Man (Saint Matthias?)
Giovanni Battista Piazzetta (d. 1754)
ca. 1715–20 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Judas Thadeus, from the series of Christ, the Virgin, John the Baptist and the Apostles, fifteen subjects on five plates
Agostino Carracci (d. 1602)
1583 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 142: Saint Judas Thaddeus, facing right and holding a saw in his right hand, from 'Christ, the Virgin, John the Baptist, and the Twelve Apostles'
Agostino Carracci (d. 1602)
1583 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Saint Judas Thadeus, from "Christ, the Virgin, and the Twelve Apostles"
Johann Sadeler I (d. 1601)
1568–1600 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Judas Thaddaeus, from "Christ, the Apostles, and Saint Paul"
Zacharias Dolendo (d. 1604)
1601 · Engraving; first state of two (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Judas Thaddaeus, from "Christ, the Apostles, and Saint Paul"
Zacharias Dolendo (d. 1604)
1601 · Engraving; first state of two (New Hollstein)
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.