Caster (Saupoudreuse)
Saint Cloud Porcelain Factory
c. 1732–38 · Ceramic, soft-paste porcelain, silver mount
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
365 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 165 matching records exist across the two collections.
Results for "Saint Mark"12 records
Institutions answered newest-first by record, interleaved
Leaf from a Commission: St. Mark Giving the Keys of Venice to Francesco de Priuli
Benedetto Bordone
c. 1523–1524 · Manuscript, ink, tempera and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Young Saint John
Berthe Morisot (d. 1895)
1890 · Drawing, pastel on pale blue laid paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Temptation of St. Anthony
Martin Schongauer (d. 1491)
1470–75 · Print, engraving
Cleared · CC0
liveCleveland Museum of ArtSimilar
Virgin and Child, with Saints Anthony Abbott, Mark, Severino, and Sebastian
Lorenzo da Sanseverino (d. 1500)
c. 1490–96 · Painting, tempera on gold wood panel
Cleared · CC0
liveCleveland Museum of ArtSimilar
St. George and the Dragon
Wolfgang Huber (d. 1553)
1520 · Print, woodcut
Cleared · CC0
liveCleveland Museum of ArtSimilar
Leaf from a Lectionary with St. Luke
Unrecorded maker
1057–1063 · Manuscript, ink, tempera and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Leaf from a Lectionary with St. Matthew
Unrecorded maker
1057–1063 · Manuscript, tempera and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Saint Francis Receiving the Stigmata
Agostino Carracci (d. 1602)
1586 · Print, engraving
Cleared · CC0
liveCleveland Museum of ArtSimilar
Bust Reliquary of St. Louis, Bishop of Toulouse
Unrecorded maker
late 1300s · Sculpture, wood (walnut) with polychromy, gesso and gilding
Cleared · CC0
liveCleveland Museum of ArtSimilar
Gospel Book with Evangelist Portraits: Saint Mark
Master of the House-Book (d. 1500)
c. 1480 · Bound Volume, ink, tempera, and gold on vellum; original blind stamped leather binding
Cleared · CC0
liveCleveland Museum of ArtSimilar
Sugar Caster
Saint Cloud Porcelain Factory
c. 1732– 1738 · Ceramic, soft-paste porcelain, silver mount
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.