Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
487 ms. The Metropolitan Museum of Art, Collection API (Open Access)
518 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 16 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano
Anonymous, Italian, 16th century (d. 1600)
after 1518 · Engraving
Cleared · Public Domain
live
St. Matthew, seated on a cloud and dipping a quill into an inkwell held by an angel, who is also holding a scroll, from a series of the four evangelists after Giulio Romano
Agostino Veneziano (Agostino dei Musi) (d. 1536)
ca. 1518–20 · Engraving
Cleared · Public Domain
live
Saint John the Evangelist
Giovanni de' Vecchi (d. 1615)
1598–99 · Pen and dark brown ink, extensively highlighted with white, over black chalk, on beige paper; squared in black chalk
Cleared · Public Domain
live
Saint Joseph Presented by the Virgin to the Holy Trinity
Corrado Giaquinto (d. 1766)
ca. 1735 · Red chalk, pen and brown ink, brush and brown wash, highlighted with white
Cleared · Public Domain
live
Fire screen (Écran) (part of a set)
Jean-Baptiste-Claude Sené (d. 1803)
1788 · Carved, painted and gilded walnut; modern cotton twill with silk embroidery
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 6: a young saint seated on a cloud with angels, from a series of eight prints after the fresco cycle "The Assumption of the Virgin" by Giovanni Lanfranco in the dome of the church of Sant'Andrea della Valle, Rome
Carlo Cesi (d. 1682)
1680 · Etching and engraving; third state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 8: Saint Andrew and a kneeling saint seated on a cloud, from a series of eight prints after the fresco cycle "The Assumption of the Virgin" by Giovanni Lanfranco in the dome of the church of Sant'Andrea della Valle, Rome
Carlo Cesi (d. 1682)
1680 · Etching and engraving; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Saint John, seated on a cloud and holding a scroll in his left hand, an eagle at right
Carlo Gregori (d. 1759)
ca. 1750–59 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Saint Luke, seated on a cloud and holding a book in his left hand, an ox at right
Carlo Gregori (d. 1759)
ca. 1750–59 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Saint Mark, seated on a cloud and holding a book in his right hand, a lion at left
Carlo Gregori (d. 1759)
ca. 1750–59 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Saint Matthew, seated on a cloud and writing in a book, an angel at left
Carlo Gregori (d. 1759)
ca. 1750–59 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Night in Saint-Cloud
Edvard Munch (d. 1944)
1890–1892 · Graphite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.