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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    574 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    272 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 11 matching records exist across the two collections.

Results for "Saint Nicholas of Tolentino Reviving a C"11 records

Institutions answered newest-first by record, interleaved

Madonna and Child with Saints by Giovanni di Paolo (Giovanni di Paolo di Grazia), The Metropolitan Museum of Art

Madonna and Child with Saints

Giovanni di Paolo (Giovanni di Paolo di Grazia) (d. 1482)

1454 · Tempera on wood, gold ground

Cleared · Public Domain

live
The MetSimilar
Engaged molding by an unrecorded maker, The Metropolitan Museum of Art

Engaged molding

Unrecorded maker

ca. 1450 · Poplar. Gilt; deep red-brown bole.

Cleared · Public Domain

live
The MetSimilar
The Crucifixion with Saints and a Donor by Joos van Cleve, The Metropolitan Museum of Art

The Crucifixion with Saints and a Donor

Joos van Cleve (d. 1541)

ca. 1520 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Saint Nicholas of Tolentino Reviving a Child by Garofalo (Benvenuto Tisi da Garofalo), The Metropolitan Museum of Art

Saint Nicholas of Tolentino Reviving a Child

Garofalo (Benvenuto Tisi da Garofalo) (d. 1559)

ca. 1530 · Oil on canvas, transferred from wood

Cleared · Public Domain

live
The MetSimilar
Saint Nicholas of Tolentino Reviving the Birds by Garofalo (Benvenuto Tisi da Garofalo), The Metropolitan Museum of Art

Saint Nicholas of Tolentino Reviving the Birds

Garofalo (Benvenuto Tisi da Garofalo) (d. 1559)

ca. 1530 · Oil on canvas, transferred from wood

Cleared · Public Domain

live
The MetSimilar
The Vision of Saint William of Aquitaine by Giovanni Angelo Canini, The Metropolitan Museum of Art

The Vision of Saint William of Aquitaine

Giovanni Angelo Canini (d. 1666)

late 1650s · Brush and brown wash, highlighted with white gouache, over black chalk, on brown-washed paper

Cleared · Public Domain

live
The MetSimilar
Pocket watch by Robert Roskell, The Metropolitan Museum of Art

Pocket watch

Robert Roskell (d. 1830)

1820–21 · Case: gold; Dial: gold with gold and steel hands; Movement: partly gilded brass, partly blued steel, and diamond

Cleared · Public Domain

live
The MetSimilar
Cruet frame (one of a pair) by Jean-Baptiste-Claude Odiot, The Metropolitan Museum of Art

Cruet frame (one of a pair)

Jean-Baptiste-Claude Odiot (d. 1850)

ca. 1817 · Silver gilt, glass

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Saint Nicholas of Tolentino, comforted by a vision of the Virgin between two angels

Pietro Aquila (d. 1700)

1670–1700 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cruet frame (one of a pair)

Jean-Baptiste-Claude Odiot (d. 1850)

ca. 1817 · Silver gilt, glass

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Visit From Saint Nicholas

Clement Clarke Moore (d. 1863)

1862 · Illustrations: color lithograph

In copyright

live
The MetSimilar

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